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Sunday, January 29
by
salvador rosillo
on Sun 29 Jan 2006 10:08 AM EST
By JAMES GORMAN
Published: January 24, 2006 more »
by
salvador rosillo
on Sun 29 Jan 2006 09:46 AM EST
BY TIM ROGERSSpecial to The Miami Herald more »
by
salvador rosillo
on Sun 29 Jan 2006 09:44 AM EST
BY ANGELA TABLAC
atablac@MiamiHerald.com more »
by
salvador rosillo
on Sun 29 Jan 2006 09:00 AM EST
By STEPHANIE ROSENBLOOM
Published: January 29, 2006 more »
Saturday, January 28
by
salvador rosillo
on Sat 28 Jan 2006 06:19 PM EST
By FLORENCE FABRICANT
Published: January 25, 2006 more »
by
salvador rosillo
on Sat 28 Jan 2006 06:15 PM EST
PARK CITY, Utah, Jan. 26 — A few nights ago, I was walking down Main Street with a critic from another publication who was reminiscing, as folks at film festivals are inclined to do after a long day of so-so movies, about the old days. As we elbowed our way through throngs of yahoos in ski parkas ("Dude, I just saw Jennifer Aniston!") and choked on the exhaust fumes from idling S.U.V.'s, my friend evoked a long-ago time, a quarter-century distant, when Sundance was still known as the USA Film Festival, and Main Street was a quaint and quiet Old West thoroughfare. Back then, he said, the festival was so eager for press attention that it would arrange to pick up visiting journalists at the Salt Lake City airport and drive them into the mountains for a monastic week or so of small, serious films, many unlikely to be seen anywhere else. He might as well have been harking back to the days of the silver mines. The small, serious movies are still here, some never to be seen again, though these days a great many — the majority in the American dramatic and documentary sections — are shot on high-definition video rather than on film. The setting is now a mobbed, sprawling, media-saturated mini-metropolis, complete with traffic jams and parking nightmares, shuttle buses as packed as Tokyo subway cars, overpriced restaurants with two-hour waits for a table and important people hammering on their Blackberry keypads in darkened movie theaters. In other words, to those of us parachuting in from New York or Los Angeles, it feels a lot like home. Even so, the friendliness of the locals, especially the volunteers who load us onto the buses and shepherd us through the lines into screenings, is positively shaming. So no more complaints, and no more nostalgia. To appreciate the Sundance Film Festival, 10 days winding up Sunday, as it is, you must embrace its contradictions. Here, the most high-minded artistic and moral aspirations coexist with hype, corporate self-congratulation and a ravening hunger for money and attention. All the values and pathologies that define the movie industry, — and perhaps American culture in general — are concentrated into a bitter, dizzying espresso shot. To take one example (and speaking of coffee), Starbucks is one of the festival's many sponsors this year (as is The New York Times). It is also the target of a muckraking documentary called "Black Gold," which looks at the poverty and exploitation of the workers and farmers who harvest and process the beans in Ethiopia used by Starbucks. That the festival feels free to program an indictment of one of its patrons is evidence of a healthy — or at least an unavoidable — paradox. Movies, documentary and otherwise, that deal with social inequality and economic injustice are a staple of the festival, whose underwriters and attendees are among the most affluent people and organizations in the world. Sometimes this convergence can yield surprising results. "God Grew Tired of Us," directed by Christopher Quinn, is a documentary about a group of young men who fled civil war in southern Sudan and lived for years in a refugee camp in Kenya. The film follows a few of these "lost boys" to Pittsburgh and Syracuse, where they adjust to a life that is infinitely safer and more comfortable than what they had left, but hard in its own ways. After one screening, one of the film's subjects, John Bul Dou, whose calm resilience is at the heart of the film, talked about his efforts to raise money to help the thousands of lost boys still in Africa. A member of the audience handed him a check for $25,000. Utah is among the most reliably Republican states in the union, which lends a certain piquancy to the fact that the surest way to elicit boos from a Sundance audience is to put George Bush's face on the screen. Al Gore was here, warmly received and celebrity-spotted at a few parties; Ralph Nader, meanwhile, was the subject of a probing and informative documentary called "An Unreasonable Man." As ever, political subjects pervaded the documentary categories, nearly always addressed from a left-of-center perspective. It would be nice, if only for variety's sake, to encounter a pro-war or pro-death-penalty documentary here, but that seems unlikely. Some of the topics included the recent Israeli withdrawal from the Gaza Strip, the unsettled state of the border between the United States and Mexico, the cruel vagaries of the criminal justice system and the sufferings of wounded soldiers returning from Iraq. All matters much in need of illumination, from whatever angle. And, in any case, it is not such a bad thing for an event like this to have a point of view. Documentary filmmaking is, at the moment, a mode of argument, and it is possible to learn a great deal from films that forgo objectivity in favor of polemic. "The Death of the Electric Car," for instance, a work in progress by Chris Paine (shown out of competition), is a prosecutorial examination of the role of oil companies, the automobile industry and the Bush administration (them again) in stymieing the development of emission-free electric vehicles. The film does give some time to the other side, but its intentions are overtly activist, and its interviews with scientists, engineers, regulators and executives provoke as well as inform. The Sundance audience, one of the most passionate I've ever encountered here, was certainly fired up by the story of a promising technology quashed, in the filmmaker's view, by greed and timidity. As the film chronicled General Motors's shutdown of its electric car line — the company reclaimed every single vehicle it had sold, and destroyed almost all of them — a woman behind me exclaimed, "That's crazy!" But pointing the camera need not always involve pointing a finger. James Longley's "Iraq in Fragments" is the latest entry in the crowded field of documentaries from that war. It is also one of the best, partly because it is more concerned with exploring daily life and individual destinies than with articulating a position. The title has several meanings, referring both to Mr. Longley's collagist method and to the communal fractures that threaten the country's stability. It takes the form of a trilogy, with one section devoted to Sunnis, one to Shia and one to Kurds, but it also reminds us that we generalize about those groups at our peril. Whether you think the war is right or wrong, "Iraq in Fragments" is a necessary reminder of just how painful and complicated it is. Which brings us to another paradox, one not unique to Sundance. Film festivals are artificial ecosystems, sealed off from the rest of the world, in which you can encounter a new painful and complicated reality on screen every two hours. A good laugh can seem as rare as a parking space or a restaurant table, which may be why comedies attract inordinate attention, as well as big money. So far this year, the noteworthy deals have been Fox Searchlight's purchase of distribution rights for "Little Miss Sunshine," Jonathan Dayton and Valerie Faris's crowd-pleasing family road farce starring Greg Kinnear, Toni Collette and Steve Carell, and Warner Independent's pickup of "The Science of Sleep," Michel Gondry's whimsical, trilingual surrealist romance with Gael García Bernal and Charlotte Gainsbourg. But in the American dramatic competition, trouble — especially the trouble facing young people in small towns and tough neighborhoods — predominates. The earnest, closely observed coming-of-age story is one of Sundance's defining genres, represented this year most notably by Dito Montiel's "Guide to Recognizing Your Saints" and So Yong Kim's "In Between Days." Mr. Montiel's film, his first, is both an autobiography — the main character, played as a young man by Shia LaBeouf and in later life by Robert Downey Jr., is named Dito — and a mostly successful attempt to breathe fresh life into the "Mean Streets" tradition of volatile neighborhood drama. The film succeeds not just because the material is so close to the director's heart, but also because his loose, fluid directing style and his easy way with actors make it feel lived in, rather than merely familiar. "In Between Days" is a quieter film, a wisp of a story about a young Korean girl living in a wintry American city and trying to figure out her feelings about her best friend, a boy named Tran, and herself. Ms. Kim generates an extraordinary sense of intimacy without seeming invasive or prurient, and without insulting the audience or the character with too much explanation. It's a small, serious film that shows great promise and that may have a hard time being seen outside this festival. So maybe not much has changed, after all.
by
salvador rosillo
on Sat 28 Jan 2006 06:07 PM EST
EVERY night before she goes to sleep, Jamie Kohen tells her roommate what time to wake her up. She also borrows her roommate's clothes without asking and uses her $25 shampoo. Ms. Kohen, 24, can get away with behavior that might otherwise overstep boundaries because her roommate is her 25-year-old sister, Yael. In many respects the Kohen sisters function as a couple. They have a joint credit card for apartment expenses and do each other's laundry. When one of them works late, the other has dinner waiting. Ten months ago the two gave up their separate places to move into a two-bedroom apartment in the Chelsea neighborhood of Manhattan, not so much to save on rent, but for companionship. "If I won the lottery tomorrow, I'd probably buy a really big apartment, and we'd probably still live together," Jamie said. "I would just pay all the bills." In a time when adults are delaying marriage and rents are sky-high in many cities nationwide, many siblings in their 20's and 30's are moving in together rather than bunking with college friends or strangers. The perks of these arrangements run the gamut from eating the leftovers in the fridge without a second thought to receiving help from parents when putting up shelves. But siblings also say they like the security of knowing that their brother or sister won't cheat them on bills, and many find that living together gives them a sense of having a home, not just a bedroom in an apartment. (Yet it's often what happens in the bedroom that can make having a sibling as a roommate awkward.) The exact number of siblings in their 20's and 30's who room together is unknown, but the 2000 census showed that the number of households shared uniquely by siblings increased by nearly 33,000 from about 700,000 in 1990. Eve Hyatt, a real estate agent in Boca Raton, Fla., has seen more siblings shopping for apartments together in recent years, something she also noticed while working in Chicago. "This is just one way to be creative to combat the high cost of real estate all over the country," Ms. Hyatt said. While siblings have sometimes lived together in middle or old age out of necessity, some psychologists and researchers of sibling relationships say that young adult brothers and sisters who become roommates could be laying the foundation for a lifelong support system. Siblings are often close as children, become distant during adolescence and then increasingly reliant on each other as adults, through parenthood, career changes, divorce and old age, said Victor Cicirelli, a professor of psychology at Purdue University. Kristin Meyer, 27, who lives in Brooklyn with her sister, Alessandra, 24, said she wanted to have her personal photos in her living room. "The only way to do that was to live with my sister," she said. Bunking with a sibling instead of a stranger from Craigslist can also provide a rare source of stability when jobs and relationships are in flux. Unfamiliar roommates "can be distracting," said Valerie Maholmes, who works for the National Institute of Child Health and Human Development. "You have to deal with differences in upbringing, values, how to manage a home, finances and other things." Siblings, however, are more likely to share common ground. "You wash your dishes when you're done because that's how you grew up," said Patrick McNamara, 27, who has shared a Brooklyn address with his brother Dave, 30, for more than five years. "When people come from a different perspective, that's when it gets hard." Not all siblings can cohabit peacefully as adults. Michael Jadach, 28, who lives with his brother Steve, 30, in Philadelphia, said he would never consider sharing a home with his other brother, John, because they often don't see eye to eye. Self-selection assures that sibling-roommates are probably on solid footing to begin with, said Michael D. Kahn, an author of "The Sibling Bond." And when they don't get along, siblings tend to resolve conflicts swiftly and bluntly. "I threw a bottle of Fantastik at her," Kristin said of a recent time Alessandra angered her by using Windex to clean their kitchen table.
by
salvador rosillo
on Sat 28 Jan 2006 06:03 PM EST
Everyone who was there agreed: Thursday afternoon's auction at Sotheby's was a bold attempt to turn the arcane world of an old-masters auction into a cash-and-carry event. The goal was to attract the retail customer rather than the dealer. George Wachter, director of Sotheby's old-masters paintings department worldwide put together the sale and called it "The Dealer's Eye," offering 73 paintings, drawings, watercolors and decorative objects culled from dealers' stock worldwide. The idea was that there would be no secrets and no gambles: buyers were furnished with a complete history of each work, including the seller, and each work was ready to be hung, saving the buyer the expense of cleaning, restoring and framing. As the salesroom filled with dealers and a smattering of collectors, more than 20 Sotheby's officials attended to clients who chose anonymity by bidding by telephone. George Gordon, an old-masters painting expert from London who was the afternoon's auctioneer, cheerfully tried to pull bids out of the audience. But often he met stony faces. Only half the offerings sold, bringing in a total of $5 million, below the $7 million-to-$10 million presale estimate. This was, however, only a small portion of two days of back-to-back old-master auctions at Sotheby's, Thursday and yesterday, which brought more than $70 million. The lots included in "The Dealer's Eye" was everything from garden-variety Dutch landscapes and flowery still lifes to scenes of dead birds; there was even an 18th-century portrait of a poodle (which did not find a home). The dates ranged from the 14th to 19th centuries, and prices were purposely kept low. The estimates started at $10,000 to $15,000 — for a watercolor of a green parakeet by a little-known 17th-century Dutch master named Pieter Holsteyn the Younger — and moved up to $400,000 to $600,000 — for an Italianate landscape of a shooting party by the Baroque Dutch painter Philips Wouwerman. All the pictures had been cleaned and framed, and vetted by an international group of professionals that included Scott Schaefer, curator of paintings at the J. Paul Getty Museum in Los Angeles; Frits Duparc, director of the Mauritshuis in The Hague; and Simon Levie, a former director of the Rijksmuseum in Amsterdam. The catalog provided the provenance of each work, and the dealer who was selling it. So what happened? "The estimates and the quality have to be right," said Robert Noortman, a dealer from Maastricht, the Netherlands, who was sitting in the front row watching closely as seven of his works came on the block. "I sold all of my pictures." Joan and Hy Bloom, collectors from Montreal, snapped up "A Guardroom Interior With Sleeping Soldiers" by Jacob Duck, a 17th-century Dutch master, for $204,000. "We've been doing this for 10 years, and our interest is only growing," Mrs. Bloom said. But she added that purchases were made from love, not by finding "a product that's nice and ready to go." Throughout the afternoon, tastes tended to gravitate toward 17th-century Dutch paintings; as with the sale's most expensive work, "An Italianate Landscape With a Hawking Party" by Wouwerman, which sold to an unidentified telephone bidder for $553,600. A pair of pastoral landscapes by Franceschini brought $486,400. Grimmer works that dealt with religious scenes or war subjects tended to go unsold. Mr. Wachter offered a positive spin on the results. "It attracted new buyers who we hope will frequent Sotheby's old-master paintings sales again," he said. "The dealers that did well were happy. The ones that didn't realized either the estimates were too high or the pictures they chose were not right for the New York market." The sale's results were encouraging enough for Mr. Wachter to want to try again. "In the end we all learned there's a market for this," he said. "We did it well, but we can do it even better. And next year we will."
by
salvador rosillo
on Sat 28 Jan 2006 06:00 PM EST
Saturday, January 21
by
salvador rosillo
on Sat 21 Jan 2006 08:20 AM EST
CAUTION: Reading this article may provoke self-inflicted slaps to the head and utterances of "Why didn't I do this five years ago?" In 1999, Farhad Aghdami, a trust lawyer in Richmond, Va., suggested to Jim and Yolonda Roberts that they put their home in a Qualified Personal Residence Trust to shelter it from looming estate taxes. Piedmont Lodge, the Robertses' white clapboard house with six portico columns sitting on 53 acres near Keswick, Va., was worth about $1.6 million back then. The trust lets them give the property to their four children for about a third of what it was valued at in 1999. The couple, now 75 years old, can live in the home for the 10-year term of the trust. When the trust expires in three years, the house belongs to the children. Here's where you slap yourself. The home is probably worth close to $4 million now. All of that appreciation was removed from the Roberts estate. "We are very happy with how it worked out," said Mr. Roberts, a retired Exxon executive. "We love the house and wanted to keep it in the family." You keep hearing how your home is your primary financial asset. As home prices have climbed sharply in most areas of the country, many older Americans are finding themselves living in an asset worth $1 million or more. Some also own vacation homes that have increased in value. Add that real estate to stocks, bonds, life insurance and other property and suddenly people who thought they were just average folks could expect to have those assets subject to estate taxes after they die. Congress has set the exemption from estate tax at $2 million, but as Carrie C. Simchuk, a trust and estates lawyer at Perkins & Coie in Seattle, said, "It doesn't take all that long to get to $2 million." That's what makes the QPRT, pronounced "cue-pert" by the experts skilled in setting up these tax-reducing vehicles, so attractive these days. During the Clinton administration, Congress made noises about limiting the trusts, but in recent years no legislator has crusaded for their abolition. Certainly a lot of people have put aside worrying about estate taxes. After all, Internal Revenue Service statistics show that the federal estate tax was paid by only 1.17 percent of estates of those who died in 2002, the last year with published figures. That could be because few people amass appreciable estates or because so many who did accumulate wealth had hired excellent tax planners. Either way you look at it, it might seem even more irrelevant because Congress has raised the exemption to $3.5 million in 2009 and then removed the estate tax entirely in 2010. The rub, of course, is that the tax relief expires in 2011, which would bring the tax back and scale back the exemption to $1 million if Congress does not act. What Congress will do about estate taxes over the next couple of years is anyone's guess, but tax planners say it is foolhardy for anyone with $2 million in assets to do nothing and hope for the best. "The worst thing you can do is let it paralyze you into inaction," said Jim Ellis, a managing director and estate planner at J. P. Morgan Private Bank. The QPRT works best for those people who expect to live another decade or so. The longer the term of the trust, the more beneficial the gift is to the children. A $1 million home in a three-year trust saves about $147,000, according to calculations by Mr. Aghdami, but one stretching 18 years saves almost $850,000. Here's the big catch: The QPRT helps you sidestep the taxman, but you have to outrun death to get the benefit. If the parent dies before the trust expires, the children have to pay the estate tax on what the value of the house was when the parent died. Consider the QPRT a gamble, but a reasonable one. It has to be set up wisely by a tax lawyer who consults actuarial tables after a frank talk with the client about his or her health and family medical history. But should the heirs lose when a parent dies early, said Mr. Aghdami, the tax lawyer with the firm of Williams Mullen, "they are no worse than if the parent had not set up the trust." Friday, January 20
by
salvador rosillo
on Fri 20 Jan 2006 03:54 PM EST
Jae C. Hong/Associated Press
Google says a Justice Department request for search records is overbroad and could expose identifying information about its users.
SAN FRANCISCO, Jan. 19 - The Justice Department has asked a federal judge to compel Google, the Internet search giant, to turn over records on millions of its users' search queries as part of the government's effort to uphold an online pornography law. Google has been refusing the request since a subpoena was first issued last August, even as three of its competitors agreed to provide information, according to court documents made public this week. Google asserts that the request is unnecessary, overly broad, would be onerous to comply with, would jeopardize its trade secrets and could expose identifying information about its users. The dispute with Google comes as the government is moving aggressively on several fronts to obtain data on Internet activity to achieve its law enforcement goals, from domestic security to the prosecution of online crime. Under the antiterrorism law known as the USA Patriot Act, for example, the Justice Department has demanded records on library patrons' Internet use. Those efforts have encountered resistance on privacy grounds. The government's move in the Google case, however, is different in its aims. Rather than seeking data on individuals, it says it is trying to establish a profile of Internet use that will help it defend the Child Online Protection Act, a 1998 law that would impose tough criminal penalties on individuals whose Web sites carried material deemed harmful to minors. The law has faced repeated legal challenges. Two years ago, the Supreme Court upheld an injunction blocking its enforcement, returning the case to a district court for further examination of Internet-filtering technology that might be an alternative in achieving the law's aims. The government's motion to compel Google's compliance was filed on Wednesday in Federal District Court in San Jose, Calif., near Google's headquarters in Mountain View. The subpoena and the government's motion were reported on Thursday by The San Jose Mercury News. In addition to records of a week of search queries, which could amount to billions of search terms, the Google subpoena seeks a random list of a million Web addresses in its index. Charles Miller, a spokesman for the Justice Department, said on Thursday that three Google competitors in Internet search technology - America Online, Yahoo and MSN, Microsoft's online service - had complied with subpoenas in the case. Mr. Miller declined to say exactly how the data would be used, but according to the government's filings, it would help estimate the prevalence of material that could be deemed harmful to minors and the effectiveness of filtering software. Opponents of the pornography law contend that filtering software could protect minors effectively enough to make the law unnecessary. The government's motion calls for Google to surrender the information within 21 days of court approval. Although the government has modified its demands since last year, Google said Thursday that it would continue to fight. "Google is not a party to this lawsuit, and their demand for information overreaches," said Nicole Wong, Google's associate general counsel, referring to government lawyers. "We intend to resist their motion vigorously." Philip B. Stark, a statistics professor at the University of California, Berkeley, who was hired by the Justice Department to analyze search engine data in the case, said in legal documents that search engine data provided crucial insight into information on the Internet. "Google is one of the most popular search engines," he wrote in a court document related to the case. Thus, he said, Google's databases of Web addresses and user searches "are directly relevant." But Danny Sullivan, editor of SearchEngineWatch, an online industry newsletter, questioned the need for a subpoena. "Is this really something the government needs Google to help them with?" he said. As for Google's rivals, MSN declined to speak directly to the case but released a statement saying it generally "works closely with law enforcement officials." Mary Osako, a Yahoo spokeswoman, said the company complied with the subpoena "on a limited basis." And Andrew Weinstein, a spokesman for AOL, said that company gave the Justice Department a generic list of anonymous search terms from a one-day period.
by
salvador rosillo
on Fri 20 Jan 2006 03:52 PM EST
Jim Wilson/The New York Times
A donor's eggs helped Stanley Hilton and Raquel Villalba conceive Lukas, Angelica and Carmen, back.
Monica Almeida/The New York Times
Marilyn Drake says she feels like an aunt to Raquel Villalba's triplets, who came from her eggs. As soon as she gave birth to healthy triplets, Raquel Villalba knew she wanted them to meet the woman whose donated eggs had made it possible. The donor, Marilyn Drake, was just as eager to meet the babies. But the fertility clinic did not think it was a good idea. Ms. Drake had grown "overly maternal," the counselor warned Ms. Villalba. Ms. Drake, in turn, was told that Ms. Villalba would blame her if anything went wrong with the triplets, so it was best to stay away. Largely unregulated, fertility clinics have long operated under the assumption that preserving anonymity is best for all parties. But as the stigma of infertility fades, the secrecy of the process is coming under attack, both from parents like Ms. Villalba and from the growing number of adults who owe their lives to donors. "I don't understand why these clinics are being so difficult," said Ms. Villalba, who finally prevailed on the clinic to let her contact Ms. Drake. Critics say the industry's preference for anonymity allows it to escape accountability. How would anyone know if a sperm donor advertised as a Ph.D. who does not smoke is really a chain smoker with a high-school diploma, for instance? Or how many offspring a donor might have? With neither party in a position to verify the number, there may be little incentive for sperm banks to impose limits on their best sellers - whose offspring might number more than 100 - leaving children at risk of unwitting incest. Many also complain that they are at the mercy of the fertility industry for important information - for instance, that a donor developed diabetes in later life - that might signal health risks. And some critics are pondering the larger question of whether anybody, having already decided that one's children will never know where they came from, has the right to bring them into the world. Many children born from donors are haunted by questions of identity, for which they blame companies that require anonymity as a condition of buying their sperm and eggs. With ever more exotic reproductive technologies looming, like cloning and the engineering of traits like eye color and intelligence, some advocates for more regulation say there is a growing urgency to protect these children from what they call "genetic bewilderment." Guaranteeing children access to their genetic heritage, they say, could be the cornerstone of an industry ethics code. "We need to get it right for donor conception," said Rebecca Hamilton, a law student at Harvard who created a documentary about searching for her donor father in New Zealand, "and use it as the basis for the million weird and wacky decisions coming our way." The documentary helped rally support for a law there prohibiting anonymous donation. Several European countries have already begun to ban anonymous donation of genetic material. Britain, for instance, began requiring fertility clinics last April to register donor information, including names, in a database that offspring can view when they reach 18. But those regulations have resulted in a steep decline in donors, which has made sperm banks and fertility clinics here more determined to oppose mandatory identity disclosure. "If that was required, it would devastate the industry," said William W. Jaeger, vice president of the Fairfax Genetics & I.V.F. Institute in Virginia, one of the nation's largest fertility clinics, which routinely turns down offspring who ask if their donor might be open to contact. "The agreement we have is that the donor is forever anonymous." Unlike adoption, which requires judicial action to create a relationship between the adoptive parent and child, parenthood via assisted reproductive technology is mediated entirely by the private agencies that supply the genetic material. While the Food and Drug Administration requires donor agencies to screen for several communicable diseases, including H.I.V. and Creutzfeldt-Jakob disease, it has allowed the fertility industry to set its own rules regarding just about everything else. About 40,000 children are born each year through donor eggs and sperm, according to rough industry estimates. Some fertility experts say they advocate anonymity to protect both donors and customers from being caught up in the murky issues of custody and liability. They point out that there is little established case law on the subject and that states interpret parental rights differently.
by
salvador rosillo
on Fri 20 Jan 2006 03:48 PM EST
BY now, everybody knows that anything audio is eventually followed by something video. Radio first, then TV. Audio tape, then videotape. CD, then DVD. Music iPod, then video iPod. Stuart Goldenberg
And then, of course, there's Apple's iTunes Music Store. The day it began selling videos, too, was the first time that cowering TV executives ever climbed down off of their kitchen tables and allowed somebody to use "TV show" and "Internet" in the same sentence. It was a small, timid test - only five TV series from one network at first, only in the United States, at low resolution and with copy protection - but it was a spectacular success. TV fans bought about eight million videos in the first three months of the service. You don't sell that much of anything without attracting the attention of your rivals. At the Consumer Electronics Show two weeks ago, Yahoo, AOL, Microsoft and Google all announced new variations on the "download for a fee TV show" formula. Only one of those ventures has already opened for business: Google Video (http://video.google.com). Google's video store is a far less controlled experiment than Apple's. In fact, Google doesn't even call it a video store; it prefers "the first open video marketplace." Its big, Google-esque, democratic idea is that anyone, from the biggest TV network to the most talent-free camera-phone owner, is allowed to post videos for all the world to see - and to buy. If it sounds a bit chaotic, you're right; Google Video's hallmark is its wild inconsistency. On iTunes, you always know what the price will be: $2 an episode. Every show is downloadable and transferable to an iPod. And you know the quality you're going to get: great color and clarity, professional production values, no ads. AT Google's video emporium, on the other hand, anything goes. Some videos are copy-protected, others not. Some can be downloaded, others viewed only online. The resolution and production quality vary widely. Some have ads. Some offer a three-minute preview, others only 10 seconds. Some videos are free, some cost money. (The price can be anything; although the sell-your-own-video feature won't go live for a couple of weeks. Google keeps 30 percent.) This sort of anarchy isn't necessarily a bad thing. For example, it's empowering to think that you can post home movies of your baby or sophomoric "Star Wars" spoofs right alongside episodes of CBS shows and basketball reruns from the N.B.A. But it's not necessarily a good thing, either. With inconsistency comes disappointment and frustration. Why is it that you can download a Charlie Rose talk show to have and to hold forever, but a "CSI" episode self-destructs after 24 hours? The offerings break down into three basic categories. First, there's the commercial-TV stuff. CBS offers a strange assortment of 12 past and present series, including "Survivor: Guatemala" (15 episodes), "Star Trek: Voyager" (5), "MacGyver" (3) and "I Love Lucy" (15). The N.B.A. makes all its games available online 24 hours after they are played, for $4 each. Sony BMG offers 52 music videos for $2 each. (At the moment, an American credit card is required to buy videos.) The second category is what you might call pseudo-commercial: third-tier, no-name, late-night, channel 900 stuff. You can buy movies like "Somewhere in Indiana"; how-to videos like "Rocki's Prenatal Yoga: Labor Preparation 2"; 38-minute movies, like "Adrenaline Rush," that were originally shown in Imax theaters; and concert videos like "Bacon Brothers: Live" (all $15 each). Frankly, you'd have to be pretty desperate to shell out $15 to watch filler like this play in a window no bigger than a stretched-out Post-it Note (480 by 360 pixels), but there you are. The final category is the amateur user-submitted material. A huge majority of it is unwatchable trash: home movies, homemade animations and that old Internet standby, the "making fun of incompetent dancers" video. Yet among this tidal wave of junk, you'll also find some amazing, free, jaw-dropping caught-on-tape moments, those funny Web videos that are passed around by e-mail and eventually attain mythic status; Google Video keeps them in a category called Popular. It's the same stuff you'll find on sites like youtube.com and stupidvideos.com: hilarious TV commercials that are too racy to show in the United States, clips that would fit right in with "America's Funniest Home Videos," and favorite snippets from network shows. There is, in all of this, the seed of a great idea: a bustling marketplace, a chance for ordinary people with great ideas, luck or timing to make a little money from their video, while Google handles all the technical server gruntwork. Indeed, submitting a movie is very easy: you download a little uploading program (for Mac or Windows), choose the videos to send (there's no limit on length or size), and specify a price and whether or not you want your video to be copy-protected. Then, providing there's no nudity or sex, Google's human and software-based screeners will look over your video and, eventually, post it.
by
salvador rosillo
on Fri 20 Jan 2006 03:33 PM EST
reality more »
by
salvador rosillo
on Fri 20 Jan 2006 03:30 PM EST
Modern dance from Japan is much among us these days, ubiquitous and mysterious. One can try to understand it historically: how various more or less Western, more or less tradition-based dancers first made their marks in Europe in the 1920's; how German modern dance (for various not entirely savory reasons) was a big influence in the 20's and 30's; how Butoh, so clearly reflecting postwar and postnuclear trauma, has permeated the world; how American modern and postmodern dance have been the biggest outside influences in recent decades; and how the Japan Society in particular has served as an invaluable showcase for new Japanese dance in New York. Skip to next paragraph
The ninth annual Japanese Contemporary Dance Showcase will include world and Or one can tiptoe into cultural stereotypes. The Japanese have always had an extraordinary ability to adapt foreign ideas and make them their own. They began with China 1,000 years ago and continued with the West after 1853. But through it all, something specifically Japanese remained. For me, Japan is the most seductively alien of all foreign high cultures. There is something about its mixture of samurai masculinity and geisha docility, about the Ginza and punks and neon lights, about the controlled violence of Yukio Mishima's novels and the controlled Impressionism of Toru Takemitsu's music. But that's a dangerous path to tread. Images of the German character propagated in holdovers from World War II propaganda argued that something buried deep in the German soul led inexorably to Nazism. Never mind that this was a classic case of working backward along the causational chain, and that maybe Hitler was not the only possible destiny of German history and culture. Similar stereotypes abounded in anti-Japanese propaganda: the "Chrysanthemum and the Sword" syndrome, one might call it, to cite a book by Ruth Benedict (1946) that argued for an inherent tension between aesthetics and bellicosity in the Japanese character. In San Francisco in the late 1940's, there were still lingering fears of Japanese attacks and lingering hostilities based on cartoon Japanese distortions. But maybe the best way to approach Japanese dance is neither historically nor stereotypically, but experientially. There are plenty of opportunities to see new Japanese dance now and to come to one's own conclusions as to what it all means. Tonight and tomorrow, for instance, the Japan Society is presenting its ninth annual Japanese Contemporary Dance Showcase, with three United States debuts and two premieres. Not having yet seen these particular dancers, I can't speak to their quality. But I can recall and describe the varied Japanese dance I encountered last year. Almost all of it was engrossing. Perhaps the two examples most striking in their Japaneseness were the Project Fukurow, seen last summer at Jacob's Pillow, and Kakuya Ohashi and Dancers at the Kitchen in September. Project Fukurow was notable for its diabolical puppets and machines, especially three miniature radio-controlled robots with monster jaws, tanklike bodies and wriggling, scythelike centipede legs. Designed by Fukurow Ishikawa, the company's director, these were ostensibly benign - or "not evil," as he called them. They looked evil to me, and the whole scenario of a protagonist helplessly under siege from the dark side of his own subconscious was pretty scary. Mr. Ohashi's "dancers" consisted of himself and a bedraggled young woman named MiuMiu; live electric guitar sounds were provided by a young man named Skank. Supposedly reflecting the alienation of Tokyo today, their piece evoked anomie, isolation, the humiliation of women, the fixations of men. It was strange, off-putting and compelling. Mr. Ohashi appeared on a double bill with the American choreographer Beth Gill; the program was organized by Yasuko Yokoshi, who seems a prime example of the lure of postmodernism and New York for Japanese choreographers today. Ms. Yokoshi will have her own program March 23 to 26 at Danspace Project at St. Mark's Church. Eiko and Koma are quintessentially Japanese, and also longtime New York residents. Late last summer they participated in a quintuple bill of choreographers throwing dances together on short notice at the old Tobacco Warehouse in Dumbo, Brooklyn. They represent the always fascinating tension within Westernized Japanese artists as to how to come to terms with Japan's rich artistic tradition; the same tensions are faced by young Japanese composers and painters. Eiko and Koma's stock in trade is extreme slow motion, the grotesqueries of Butoh stretched to infinity, anguished and calm. The other Japanese choreographers whose work I saw last year were all at the Japan Society. In February came the Condors, all men and all cute. Their routines involve them dressing like the young Beatles (onstage and in their Richard Lester-like films, shown during their performances) and acting out vaudevillian routines. They are very clever - the Hello Kitty side of the Japanese character - but they could profitably focus a little more on movement, at which they're also very skilled. A program in May, presented in a series called "Cool Japan" and in conjunction with Takashi Murakami's brilliantly creepy "Little Boy" exhibition, consisted of three short performances, as well as a prelude in the lobby. Osamu Jareo and Misako Terada offered an implied narrative reminiscent of the hushed intimacies of recent Asian film. More disturbing (and hence, somehow, more Japanese) were Natsuko Tezuka, who put together a whole performance based on strange bodily tics and quivers and spasms, and Shigemi Kitamura, who deals with isolating body parts and a degree of oddness that builds to a screaming crescendo (yelling, flailing, hitching her skirt over her head). And then in October came Akemi Takeya, who performed post-Butoh ritual, goofy skits and, at the end, a surreal piece called "Moon Moss Blossom" that involved bronze body makeup, toplessness, a brown hoop skirt and silhouettes. It was eerie and very beautiful. So does this mean that all Japanese dancers, or the best and most characteristic ones, are rapt and strange, filtering (to Western eyes and ears) the masked impassivity of Noh and the puppetry of Bunraku and the extreme makeup and movements of Kabuki through a Western sensibility? Not exactly. By now there are Japanese ballet dancers and Japanese tap dancers and Japanese ballroom dancers (see the original and superior 1996 Japanese version of the film "Shall We Dance?"). Perhaps there soon won't be, or there already isn't, a viable category of "Japanese dance" that can be described and categorized; perhaps all that will be left will be globalized individuals. But as long as Japan retains its unique character, its potent blend of tradition and cutting-edge modernity, its natural beauty and urban flash, its isolation and guarded openness to the world, its computer games and manga and anime and woodcuts and meditational rock gardens, there will always be something recognizable as Japanese dance. And we'll all be better for it. Thursday, January 19
by
salvador rosillo
on Thu 19 Jan 2006 09:01 PM EST
Peru endorsed Miami as site of free trade pact secretariatBy TYLER BRIDGEStbridges@miamiherald.comLIMA - President Alejandro Toledo on Thursday endorsed Miami as the headquarters for a proposed free trade secretariat as Florida Gov. Jeb Bush completed a two-day trade visit to Ecuador and Peru. Bush's main goals on the trip were winning the support of Toledo and Ecuadorean President Alfredo Palacio for Miami, and promoting Florida trade and investment. ''It's the best location,'' Toledo said during a news conference Thursday, ``it has a strong economy and it has strong economic ties with the region.'' In an earlier speech, Toledo called Florida ``the port of entry for Latin America in the United States.'' Palacio on Wednesday gave a more qualified expression of support for Miami. Efforts to create the hemispheric-wide trade agreement have stalled with opposition from Argentina, Brazil, Paraguay, Uruguay and Venezuela. The other countries that have voiced support for making Miami the administrative hub of the Free Trade Area of the Americas include Uruguay, El Salvador, the Dominican Republic, Guatemala, Honduras and Nicaragua. Peru was the 15th country that Bush has visited during his seven years in office as governor. Bush found an enthusiastic Toledo in his call for free trade throughout Latin America. Peru under Toledo recently signed a free trade agreement with the United States that will take effect upon ratification by the congresses of both countries.
by
salvador rosillo
on Thu 19 Jan 2006 08:58 PM EST
Bin Laden threatens attacks, offers truceLEE KEATHAssociated Press
AFP PHOTO/DSK
CAIRO, Egypt - Osama bin Laden warned in an audiotape aired Thursday that his fighters are preparing new attacks in the United States but offered the American people a "long-term truce" without specifying the conditions. The tape, portions of which were aired on Al-Jazeera television, was the first from the al-Qaida leader in more than a year. It came only days after a U.S. airstrike in Pakistan that targeted bin Laden's deputy, Ayman al-Zawahri, and reportedly killed four leading al-Qaida figures, possibly including al-Zawahri's son-in-law. There was no mention of that attack in the tape, which Al-Jazeera said was recorded in January. The network initially reported it believed the tape was made in December, but later corrected itself on the air. Editors at the station said they could not comment on how they knew when it was made. The CIA has authenticated the voice on the tape as that of bin Laden, an agency official said. The al-Qaida leader is believed to be hiding in the border region between Afghanistan and Pakistan. Beyond confirming that bin Laden remains alive, the tape could be aimed at projecting an image of strength to al-Qaida sympathizers and portray the group as still capable of launching attacks despite blows against it, analysts said. The White House rejected the truce offer. The United States will not let up in the war on terror despite bin Laden's latest threats, White House press secretary Scott McClellan said. "We do not negotiate with terrorists," McClellan said. "We put them out of business." U.S. counterterror officials said Thursday they have seen no specific or credible intelligence to indicate an impending al-Qaida attack on the United States. The Homeland Security Department has no immediate plans to raise the national terror alert, spokesman Russ Knocke said. In the tape, bin Laden spoke in a soft voice, as he has in previous recordings, but his tone was flatter than in the past and had an echo, as if recorded indoors. He presented his message with a combination of threats, vows his followers can fight forever and a tone of reconciliation, insisting he wants to offer a way to end the wars in Iraq and Afghanistan. He even recommended a book for Americans to read - "The Rogue State," apparently a book of the same title by American author William Blum. He said it offers the path to peace - that America must apologize to victims of the wars and promise never to "interfere" in other nations - though it was not clear if these were conditions for the truce. Bin Laden said he decided to make a statement to the American people because he said President Bush was pushing ahead despite polls which showed "an overwhelming majority of you want the withdrawal of American troops from Iraq." He said the Bush administration was lying about victories in the Iraq war. Bin Laden insisted the insurgents will eventually win the conflict, which he said is only strengthening the cause of the "mujahedeen," or holy warriors. But he said that even if the U.S. does prevail in the war, "the nights and days will not pass without us taking vengeance like on Sept. 11, God permitting." He warned that security measures in the West and the United States could not prevent attacks there, citing the July 7 bombings in London that killed 56 people. "The delay in similar operations happening in America has not been because of failure to break through your security measures," he said. "The operations are under preparation and you will see them in your homes the minute they are through (with preparations), with God's permission." He offered a "long-term truce with fair conditions that we adhere to. ... Both sides can enjoy security and stability under this truce so we can build Iraq and Afghanistan, which have been destroyed in this war. "There is no shame in this solution, which prevents the wasting of billions of dollars that have gone to those with influence and merchants of war in America," he said. Bin Laden then made an oblique reference to how to prevent new attacks on the United States. He told Americans that "if you are sincere in your desire for peace and security, we have answered you. And if Bush decides to carry on with his lies and oppression, then it would be useful for you to read the book 'The Rogue State.'" He said the book reads in its introduction, "If I were president, I would stop the attacks on the United States: First I would give an apology to all the widows and orphans and those who were tortured. Then I would announce that American interference in the nations of the world has ended." The Associated Press found a nearly identical passage in another book by Blum: "Freeing The World To Death: Essays on the American Empire," published in 2004. The passage could not, however, be found in the latest edition of "The Rogue State." The tape ended the longest silence from bin Laden since the Sept. 11 attacks, a lull which had raised speculation over his fate. The last audiotape purported to be from bin Laden was broadcast in December 2004 by Al-Jazeera. In that recording, he endorsed Abu-Musab al-Zarqawi as his deputy in Iraq and called for a boycott of Iraqi elections. Previously, the longest period without a message from the al-Qaida leader was from December 2001 to November 2002. He issued numerous tapes in 2003 and 2004, calling for Muslims to attack U.S. interests and threatening attacks against the United States. Bin Laden appeared in a video released October 2004, just ahead of U.S. presidential elections, saying the United States could avoid another Sept. 11 attack if it stops threatening the security of Muslims. In an April 15, 2004, audiotape, he vowed revenge against the United States for Israel's assassination of Hamas founder Sheik Ahmed Yassin - and at the same time offered a truce to European countries. Since December 2004, al-Zawahri, the al-Qaida Number 2, has issued a number of video and audiotapes, including one claiming responsibility for the London attacks, which he said came after Europe rejected the terms of bin Laden's truce offer. Al-Jazeera's editor in chief Ahmed al-Sheik would not comment on when or where the latest tape was received. Jeremy Bennie, a terrorism analyst for Jane's Defense Weekly, said bin Laden appeared to be "playing the peacemaker, the more statesmanlike character" with his offer of a truce. "They want to promote the image that they can launch attacks if and when it suits them," he said. "They want us to believe they are in control," he said. The mention of rebuilding Iraq and Afghanistan may be a recognition of divisions among the ranks of Islamic militants over the insurgency in Iraq by bin Laden's ally, al-Zarqawi, who has come under criticism by some radicals for attacks on Iraqi civilians. Former White House anti-terrorism chief Richard A. Clarke said "the initial significance of this (tape) is that he's still alive." Beyond that, he told the AP, "the only new element in his statement is that they are planning an attack soon on the United States. "Would he say that and risk being proved wrong, if he can't pull it off in a month or so?" Clarke asked. The truce offer may be aimed at making bin Laden "look more reasonable in Arab and Muslim eyes. He's a very sophisticated reader of world opinion and American opinion, and he obviously knows he can't affect American thinking. He's too reviled," he said. --- Associated Press writers Charles J. Hanley and Tracee Herbaugh in New York, Lara Jakes Jordan in Washington and Mariam Sami in Cairo contributed to this report.
by
salvador rosillo
on Thu 19 Jan 2006 08:52 PM EST
OMS pide a farmacéutica no vender artemisina contra malariaNESTOR IKEDAAssociated PressWASHINGTON - La Organización Mundial de la Salud pidió el jueves a las corporaciones farmacéuticas no producir ni vender aisladamente "artemisina", el único medicamento que aisladamente es todavía efectivo contra la malaria, a fin de evitar que los parásitos de la enfermedad desarrollen una resistencia al tratamiento. Según Lee Jong-wook, director general de la OMS, el uso de artemisina combinado correctamente con otras drogas antimalaria tiene una efectividad de casi 95% en la cura de la malaria y los parásitos, en vez de ser solamente debilitados con el tratamiento aislado, pierden potencialidad de desarrollar resistencia a la droga. Lee explicó en una rueda de prensa que la OMS, que tiene su sede en Ginebra, ha enviado solicitudes a farmacéuticas principalmente en Europa, Asia y Africa, para que se "abstengan inmediatamente" de producir artemisina, que se comercializa en tabletas en las regiones tropicales del mundo. La malaria es causada por el zancudo anofeles y la enfermedad, que produce deformaciones del bazo e hígado, está acompañada de escalofríos y fiebre. Es recurrente y muy común en Centro y Sudamérica, el Africa, los países del Mediterráneo, Asia y varias islas del Pacífico. Hasta ahora no se ha documentado científicamente el fracaso de la artemisina en su tratamiento, pero la posibilidad de que los parásitos de la malaria desarrollen anticuerpos contra ese medicamento "es grande", dijo Arata Kochi, el nuevo director del departamento de malaria de la OMS. Puso como ejemplo el caso de Tailandia, donde el tratamiento de la malaria con la droga sulfadoxina fue casi 100% efectiva al iniciarse en 1997, pero se ha reducido ahora a apenas el 10% debido a la resistencia a la droga. Igualmente, dijo que la popular cloroquina ha perdido efectividad "en casi todo el mundo" en apenas cinco años de su uso que empezó en 1999, mientras que la resistencia a otra droga, la atovaquona, se generó en apenas un año.
by
salvador rosillo
on Thu 19 Jan 2006 08:50 PM EST
México y EEUU llegan a acuerdo sobre cementoAssociated PressWASHINGTON - México y Estados Unidos llegaron a un acuerdo tentativo que acaba con 16 años de disputas bilaterales y que permitirá el ingreso de cemento mexicano al mercado estadounidense con menores barreras, informó el jueves el secretario de Comercio Carlos Gutiérrez. El acuerdo es "un paso positivo" hacia la solución de la disputa y "subraya la firme relación comercial" entre ambos países, dijo Gutiérrez. Gutiérrez no dio detalles del acuerdo, pero fuentes de la industria dijeron que Estados Unidos permitirá un mayor ingreso de cemento mexicano en los próximos tres años, aun cuando las imposiciones arancelarias serán drásticamente reducidas pero no eliminadas. Indicó que con el acuerdo, las poblaciones de la costa del Golfo de México que han sufrido devastadores ataques de huracanes en los últimos cinco años, tendrán los recursos para reconstruir, al tiempo que se abre el acceso al mercado mexicano de los productores estadounidenses. El secretario mexicano de Economía Sergio García de Alba, quien estuvo en Washington a comienzos de esta semana para hablar de temas comerciales pendientes, adelantó entonces que el acuerdo "será de gran beneficio para ambos países". "Estados Unidos es deficitario en la producción de cemento", dijo García de Alba. "México es superavitario y tiene empresas competitivas que están en posibilidades de abastecer a este mercado". Gutiérrez dijo en una declaración emitida en Nueva Orleáns, ciudad devastada por el huracán Katrina el año pasado, que el acuerdo incrementará también las posibilidades de construcción de nuevas viviendas en Estados Unidos. "La liberalización del comercio del cemento entre Estados Unidos y México alentará a las empresas a construir y fomentará el empleo y nuevas oportunidades para nuestros trabajadores", afirmó Gutiérrez, funcionario de origen cubano que estudió y trabajó en México. El gobierno mexicano había dicho anteriormente que un acuerdo con Estados Unidos triplicaría el volumen de exportación de cemento al mercado estadounidense y significaría mejores negocios para la empresa Cemex, la tercera planta más grande el mundo. Estados Unidos, pese a que es socio de libre comercio con México, ha estado imponiendo desde 1990 altas tarifas al cemento mexicano respondiendo a quejas de productores estadounidenses de que México estaba inundando el mercado estadounidense con cemento barato. Los informantes dijeron que las tarifas, que eran de alrededor de 26 dólares por tonelada, bajarían en adelante a 3 dólares, una penalidad que estaría vigente hasta 2009, cuando quedarían eliminadas todas las sanciones y cuotas si México cumplía su compromiso de abrir su mercado para una mayor participación estadounidense. Según los productores estadounidenses, México es un mercado prácticamente cerrado para el cemento extranjero, lo cual permitía a los productores mexicanos cobrar precios altos en el mercado nacional y más bajos cuando se trataba de exportar a Estados Unidos. El grupo Contratistas Generales Asociados de Estados Unidos (Associated General Contractors of America) dijo que en agosto la escasez de cemento había sido aguda en 32 de los 50 estados de la nación, en el momento pico de la temporada de construcción en verano. Estados Unidos impuso las tarifas punitivas luego que un fuerte incremento en el ingreso de cemento mexicano de 1986 a 1989 diera lugar al despido del 19% de la fuerza laboral en la industria y el cierre de seis plantas.
by
salvador rosillo
on Thu 19 Jan 2006 08:47 PM EST
Escultura española de 2.500 años regresará a pueblo de ElcheAssociated PressMADRID - Una escultura española, símbolo del avance de la cultura antigua en la costa del Mediterráneo, regresará en préstamo al poblado donde fue descubierta. La Dama de Elche _un sorprendente busto de piedra que se remonta a entre el siglo cuarto y quinto antes de Cristo_ fue desenterrada en 1897 por agricultores que informaron a un médico local que también era conocedor de arte. El hallazgo fue efectuado cerca a Elche en la costa este de España, en un sitio llamado Illici Augusta Colonia Julia durante el imperio romano, y Helike por las tribus ibéricas que dominaron la zona antes que Roma. La importancia artística e histórica de la escultura eran evidentes y el busto fue vendido ese mismo año al museo del Louvre en París. Durante la ocupación de Francia por la Alemania nazi en 1941, París devolvió la escultura a España, donde fue una pieza popular en el contenido del museo del Prado hasta 1971, cuando se le asignó un lugar permanente en el Museo Arqueológico Nacional de Madrid. Después de exámenes exhaustivos que hallaron que la escultura estaba en muy buen estado estructural, el museo decidió prestarla a un museo en Elche, cerca de donde los expertos creen que fue esculpida hace unos 2.500 años.
by
salvador rosillo
on Thu 19 Jan 2006 08:44 PM EST
Kirchner y Lula refuerzan el MercosurYANA MARULL / AFPBRASILIALos presidentes de Argentina, Néstor Kirchner, y Brasil, Luiz Inácio Lula da Silva, reforzaron ayer en Brasilia la alianza entre las dos naciones y reconocieron las crecientes críticas de sus socios Paraguay y Uruguay al Mercosur. ''En Paraguay, en Uruguay, se fortalecen posturas críticas al Mercosur'', dijo Kirchner, quien atribuyó el desacuerdo a la falta de atención del bloque regional hacia las asimetrías de esas economías menores. ''Es necesario que nos aboquemos en un ejercicio conjunto para atender esos reclamos, para tener una actitud solidaria'' en el bloque regional integrado por los cuatro países, dijo Kirchner en discurso ante la prensa. A su lado, Lula también se comprometió a prestar más atención a Paraguay y Uruguay (donde aumenta el reclamo de un acuerdo bilateral con Estados Unidos), y también a Argentina. El mandatario brasileño propuso una integración productiva vía consorcios en áreas punta como industria naval, bélica, aeronáutica y espacial en el Mercosur. ''Tenemos conciencia de nuestras responsabilidades en la integración regional'', dijo Lula. Lula también prometió concesiones a Argentina, con quien Brasil alcanzó en el 2005 un superávit comercial récord de más de $3,600 millones, el doble del 2004. ''Reiteré al presidente Kirchner la intención de colaborar en la intensificación de medidas que ayuden a la reindustrialización ya en curso en Argentina. Estamos abiertos a propuestas para perfeccionar los acuerdos sectoriales que tenemos en áreas prioritarias, como la automotriz'', dijo Lula. A pedido de Argentina, brasileños y argentinos se han comprometido a aprobar antes del 31 de enero un sistema de salvaguardias (o cláusula de adaptación competitiva) que limite las exportaciones brasileñas en sectores fragilizados de argentina, pero la industria brasileña se opone. ''Creo como usted en la relación entre Brasil y Argentina y en la alianza estratégica del Mercosur'', le aseguró Kirchner a Lula. Kirchner abogó por una mayor integración al Mercosur de Chile, tras la victoria de la presidenta electa socialista Michelle Bachellet, y ''por la incorporación plena de Bolivia'', que también acaba de elegir al izquierdista Evo Morales. Bolivia y Chile son miembros asociados del Mercosur.
by
salvador rosillo
on Thu 19 Jan 2006 08:50 AM EST
In the first legal test for the largest real estate project in Brooklyn history, a coalition of community groups filed suit yesterday against a state agency, charging that it wrongfully approved the demolition of six buildings on the site of the proposed Atlantic Yards development. While the immediate purpose of the lawsuit, filed in State Supreme Court in Manhattan against the Empire State Development Corporation, is to stop the demolition, plaintiffs said it was also intended as a broader challenge to the agency's environmental review of the project. The review is still under way, and opponents say it has been overtly friendly to the developer. Forest City Ratner Companies, the developer, and the opponents have been locked in a two-year struggle over the 9.1 million square-foot residential and arena complex. The lawsuit also seeks the disqualification of the agency's outside lawyer, David Paget, because he previously represented Forest City Ratner. The plaintiffs - 11 community groups and a variety of individuals - are also seeking to block the Empire State Development Corporation from issuing a final environmental impact statement until an independent lawyer has reviewed it for potential conflicts of interest. "The rubber-stamping of this request for demolition has pointed up the fact that E.S.D.C. is not an impartial reviewing agency, but is in league with Forest City Ratner to push this project through," said Candace Carponter, a spokeswoman for Develop Don't Destroy Brooklyn, one of the groups in the lawsuit. "We want to let the E.S.D.C. know that they're going to be held accountable and that we will be watching for any missteps in the future." A spokeswoman for the state development agency, Deborah Wetzel, said it had not received legal papers, but added: "We intend to vigorously defend against the lawsuit. Beyond that, it is our policy not to comment on pending litigation." The lawsuit comes one month after Forest City Ratner officials announced that it planned to destroy six buildings on the site, saying an engineer hired by the company declared the buildings to be so dilapidated that they were a threat to public safety. Opponents of the project have said that engineer's report overstated the deterioration of the buildings. Razing them, they argued, was meant to give the Atlantic Yards project momentum and to bolster Forest City Ratner's claim that the site meets the state standard for "blighted," which would make it possible for the developer to force reluctant residents to sell their property. City Councilwoman Letitia James, whose district includes the site and who is an outspoken opponent, asked the company to allow her to inspect the buildings with a different engineer. At first, Forest City Ratner officials agreed to the inspection, but said later that Ms. James could not bring an engineer. State law forbids developers to alter the site of any proposed project until it has been approved, but the law makes an exception for "emergency actions." According to the lawsuit, the Empire State Development Corporation, in consultation with Mr. Paget, declared that the buildings qualified for emergency demolition without independently examining them. The suit also says that the agency did not consider alternative measures of ensuring public safety. In a statement, Bruce Bender, an executive vice president of Forest City Ratner, defended its initial engineering report and said the lawsuit amounted to "delay tactics." "While the opponents have another agenda," Mr. Bender said, the developer "will not play games with the public safety and is proceeding as any responsible property owner should and must." The project is in the midst of an environmental review and must go through extensive review before it can be approved by state agencies. Forest City Ratner is a development partner for the new Midtown office tower being built for The New York Times. Philip Weinberg, a professor at St. John's University and an expert on the state's environmental review law, said the lawsuit faced "an uphill battle" in trying to get Mr. Paget disqualified. "There's nothing in the law or the regulations saying they can't have the same counsel," he said. In general, he said, courts have tended to defer to public agencies on questions of fact, which might include whether the buildings are unsafe enough to warrant demolition. Still, Mr. Weinberg added, the agency "is supposed to play it down the middle," and "courts are supposed to step in if it doesn't pass the smell test." During the 1980's, he noted, a federal court blocked the Westway highway project in Manhattan after finding that an environmental review by the Army Corps of Engineers failed to document the project's likely effect on striped bass in the Hudson River.
by
salvador rosillo
on Thu 19 Jan 2006 08:45 AM EST
Those with long memories may recall the days when New York modern art institutions were not only in tune with contemporary culture but also determined to drive it forward. At the New Museum of Contemporary Art, that spirit is back in force. In late November, the museum broke ground on its new home on a decrepit strip of the Bowery on the Lower East Side. And while some of the design details are still being tweaked, it is now razor-clear that the building will do more to freshen the bond between Manhattan's art and architecture communities than any building since Marcel Breuer's Whitney Museum of American Art opened on Madison Avenue four decades ago. The aluminum-clad building, designed by Kazuyo Sejima and Ryue Nishizawa, founders of the Tokyo architectural firm Sanaa, evokes a stack of mismatched boxes on the verge of toppling over. Firmly rooted in the present, it is a remarkably sensitive exploration of the relationship between art, architecture and the human beings who animate them. The project, scheduled for completion in the fall of 2007, could not come at a better time. In recent years, it has become dismally clear that the art institutions that redefined New York culture in the 20th century are no longer invested in propelling it forward in the 21st. Despite its elegance, the recent $850 million expansion of the Museum of Modern Art had more to do with consolidating the museum's position as an arbiter of high taste than with engaging in the messy, ever-shifting realities of the art and cultural scenes. In 2003 the Whitney Museum signaled that it valued security over experimentation when it dropped a radical design for an addition by Rem Koolhaas, eventually replacing it with a conservative proposal by Renzo Piano. It would be unfair to expect the Modern to play the same cultural role it did in the 1930's, when it was probably the single most powerful force in introducing Americans to European Modernism. Yet as these institutions have quietly receded into middle age, they have left a void in the heart of the city. The New Museum is one of the few New York art institutions with the courage to fill it. Rising seven stories at a choice site where Prince Street ends at the Bowery, the museum clearly sought to bind itself to what's left of the youthful downtown scene. Its position at the end of Prince, one of SoHo's main axes, suggests a link to the SoHo art scene of the 1960's and 1970's - a nod to the creative fervor that reigned in the neighborhood before it was transformed into a glorified shopping mall. The ghosts of SoHo drift in and out of the design. Wrapped in a woven aluminum mesh skin, the stacked forms give the composition a mysterious quality, suggesting a culture in constant flux. They are also tough enough to stand up to the Bowery's mix of restaurant supply stores, dying single-room-occupancy hotels and shiny new residential towers. Amid the crush of commercial traffic from the Manhattan Bridge, the building will seem solid and industrial. At night, when the streets are barren, it is apt to be more ethereal and moody. Sanaa is known for both the clean precision of its forms and a knack for unearthing the softer qualities of glass. The layering of transparent and reflective surfaces in the marvelous Christian Dior building in Tokyo, for example, give the interiors a luxurious milky quality, like layers of veils. But the New Museum's design is intended as more than a metaphor; it is also to be a concrete realization of the museum's values. The street-level façade will be entirely transparent, like a shop window. The idea is to bring the experience of viewing art to the street, reaffirming the institution's role as a public forum. The main floor is divided lengthwise into a lobby and a loading dock that will be visible from the street, so that the process of transporting art is open to public view. The lobby, echoing the proportions of an old downtown loft, is divided into a series of lively public zones, beginning with a ticket counter and cafe and culminating in a large glass-enclosed gallery - a fish bowl of the art world. The informality of the arrangement reflects how the contemporary art world is changing as barriers between the various arts dissolve. Creation is a collaborative act in which the audience plays a role: at the New Museum, art, architecture, graphic design, film and the public will all jostle for attention. That embracing vision extends to the very top of the museum, where a 3,000-square-foot multipurpose space will offer sweeping views over the area's old tenement blocks to the dense cluster of towers on Wall Street. The quiet simplicity of the galleries, sandwiched in the middle floors, offers a momentary repose. The beauty of the shifting setbacks on each floor is that it allowed the architects to create skylights on every level, illuminating them with a blend of natural and artificial light. In the fourth-floor gallery, for example, natural light will wash down the south wall through a long slotlike skylight while the rest of the room will be illuminated by lights hidden above a mesh ceiling. Purists who believe that architecture should take a back seat to art may grumble that the uneven blend of natural and artificial light will be distracting. But the result will be atmospheric, with the mood of each room shifting slightly over the course of the day depending on the weather. In their choice of materials - from the smooth concrete floors to the exposed steel I-beams - the architects sensitize the visitor to the tactile qualities of the world around them. The aim is to lure us out of our everyday stupor, to open our hearts to the art. Of course, one building alone cannot remake a culture. But Lisa Phillips, the museum's director, clearly found the right architect for her building. And she has brought in curators who have no interest in preserving the status quo; instead they envision the museum as a laboratory for cultural change. The question on every New York architect's lips is whether the museum will be willing to organize the kind of architecture shows we so desperately crave: shows with a strong critical point of view, like the ones that MoMA mounted in its glory days. Rarely, in today's New York, does a building project inspire so much confidence in the future.
by
salvador rosillo
on Thu 19 Jan 2006 08:42 AM EST
Andrea Mohin/The New York Times
John McGettrick, the co-president of the Red Hook Civic Association, favors more housing for the neighborhood. Industry vs. GentrificationAndrea Mohin/The New York Times
A pier under construction in Red Hook is big enough to accommodate the Queen Mary 2. It is scheduled to open in the spring.
Red Hook could've been a contender, just like Marlon Brando's character in "On the Waterfront," a film that immortalized the bleak, harsh atmosphere of the Brooklyn docks (even if it was filmed in Hoboken). With acres of piers for hauling cargo, and sweeping views of the Manhattan skyline, Red Hook should have become a leading industrial port or another charming Brooklyn village like nearby Carroll Gardens. But a series of government miscalculations - like cutting the neighborhood off from the rest of Brooklyn with the Gowanus Expressway and the Brooklyn Battery Tunnel, and shifts in the waterfront economy to containerized cargo - left the square-mile peninsula with forlorn blocks pocked by tumbledown houses, unkempt lots and hollow-eyed factories. In recent years, however, Red Hook has become a vigorous place again, so much so that it is now a contested ground for apartment developers wanting to cash in on the views, artists and restaurateurs looking for cheap space, factories seeking a haven from gentrification elsewhere and old-line residents wanting to keep the old-time flavor. Red Hook is poised to receive stores like Ikea and Fairway, million-dollar condominiums, humming factories and bustling docks, and even a pier for the 1,132-foot Queen Mary 2 and other cruise ships. Yet, its future is caught up in a battle royal. Developers want to convert waterfront warehouses and factories into apartments, even though the areas are zoned for manufacturing. But factory owners and cargo haulers fear that well-heeled apartment dwellers would not take kindly to their trucks barreling through Red Hook's narrow cobblestone streets or their middle-of-the-night foghorns and bright lights. "You're going to be doing something they don't like, even if it's interfering with a guy barbecuing on the block," said Michael DiMarino, owner of Linda Tool and Die Corporation, a precision metal fabricator with clients like NASA and Boeing. "I don't blame him, but we were here first." Many factions dread the prospect of big-box stores like Ikea, which plans to build a waterfront furniture emporium with 1,500 parking spaces by 2007. Blue-collar businesses fear that Ikea's shoppers would clog Red Hook, stalling their trucks. Homeowners worry that Ikea would shatter the quiet. Yet residents of the housing projects, whose 8,000 tenants represent three-quarters of Red Hook's population, are eager for the 500 jobs Ikea is dangling. Dorothy Shields, 74, the president of the Red Hook Houses East Tenants Association, who has taken a liking to Ikea's Swedish meatballs, supports the store because one of every four of the projects' tenants is unemployed. "It's the jobs," she said. "I have so many people who needs jobs." Artists and craftsmen trickling in from Dumbo and Williamsburg fear any change because they suspect they will end up priced out of another blossoming neighborhood. Madigan Shive, a 29-year-old cellist, moved from San Francisco into a rental house with three other artists. "There's a good chance we could lose our house in the next year," she said. "If I lose this space, I don't know that I can stay in New York." The neighborhood quarrel is embodied in two men, John McGettrick, co-president of the Red Hook Civic Association, and Gregory O'Connell, a former city detective turned millionaire developer and one of Red Hook's largest property owners. Mr. O'Connell, who supports expanding blue-collar businesses, is a ubiquitous figure who uses the paper-strewn dashboard of his pickup as his desk and file cabinet. Mr. McGettrick, whose father slung cargo on the docks but who favors housing, manages an investigations agency. The two antagonists tap into different elements of Red Hook history and are backed by rival civic groups. Mr. McGettrick contends the city hurt Red Hook in 1961 when it zoned as industrial numerous blocks in which frame or brick houses had always been mixed in. Homeowners could not expand and banks would not offer mortgages, and the result, he said, was abandonment and arson. "There is a desperate need to rebuild the population that was lost," Mr. McGettrick said. Mr. O'Connell has revamped Civil War-era warehouses set on waterfront piers but filled them with blue-collar trades like wood and glass workers. Those tenants will be joined this spring by a Fairway, the grocery cornucopia, which is also on Manhattan's West Side and in Harlem.
by
salvador rosillo
on Thu 19 Jan 2006 08:38 AM EST
JOHN WILLIAMS' SHADOW GOVERNMENT STATISTICS www.shadowstats.com FEDERAL DEFICIT REALITY: AN UPDATE July 7, 2005 _____ U.S. Treasury Shows Actual 2004 Budget Deficit at $11.1 Trillion Ultimate Crisis for Dollar Moves Beyond Possible Remedies Hyperinflation and New Gold-Based Currency System Are Likely Consequences Foreword From time to time, the U.S. financial markets manifest some concern about the nation's twin deficits -- the federal budget and the current account shortfalls. These episodes have been short-lived, however. Generally, the markets have been very sanguine about these problems -- much too sanguine, in our view! We believe there is a great deal about which to be concerned in both areas, and that longer run, the U.S. markets will indeed reflect it -- negatively, of course. This article updates our thoughts, etc. on the federal budget deficit. When the U.S. Treasury reported the official 2004 federal budget deficit at a record $413 billion last October, the hisses and boos in the financial media were unrelenting. Two months later, the Treasury reported the actual 2004 deficit -- using generally accepted accounting principles (GAAP) -- was really an incredible $11.1 trillion [1], up from $3.7 trillion in 2003, yet nary a word was heard in the financial media, from Wall Street or from any political denizen of that former malarial swamp on the Potomac. An exception, of course, was Treasury Secretary John Snow, who signed the government's financial statements, but the data release was as low key as physically possible. The silence partially reflects the financial-market terror that would accompany an effective national bankruptcy. Such is the risk when a government's fiscal ills spin so wildly out of control that they no longer are containable within the existing system. Consider the traditional solution of raising taxes. Putting the $11.1 trillion deficit in perspective, if the government raised individual and corporate income taxes to 100%, seizing all salaries, wages and profits, the government's 2004 operations still would have been in deficit by trillions of dollars. The deficit has moved beyond practical fiscal control! Many in government and the markets are aware of the underlying deficit reality, but few dare to sound the alarm, for the ultimate resolutions to the situation all are political or financial nightmares. The government's GAAP-based accounting generally is as used by Corporate America. It includes accrual accounting for money not yet physically disbursed or received but that otherwise is committed. The largest differences come from the bookkeeping related to Social Security and Medicare, where year-to-year changes in the net present value (discounted for the time value of money) of any unfunded liabilities are counted. In contrast, traditional deficit accounting is on a cash basis. It counts the cash received from payroll taxes (social Security, etc.) as income, but it does not reflect any offsetting obligations to the Social Security system. For nearly four decades, officially sanctioned accounting gimmicks have masked federal deficit reality. Surpluses in trust accounts, such as Social Security, have been used to obscure the true shortfall in government spending. With less than one tenth of the actual deficit being reported each year, a cumulative negative net worth for the U.S. government has built up in stealth to a level that now tops $45 trillion, with total obligations of $47.3 trillion (more than four times annual GDP). The problem has moved beyond crisis to an uncontrollable disaster that threatens the existence of the U.S. dollar and global financial stability. Indeed, the unfolding fiscal nightmare likely will entail a U.S. hyperinflation and a resulting collapse in the value of the world's primary reserve currency, the dollar. With surviving politicians looking to restore public faith in the global currency system, a new system probably will be based on gold, the only monetary asset that has held public confidence for millennia. This article updates and expands upon our original background piece on the topic, "Federal Deficit Reality", published in September 2004, and a special economic alert, "Financial Report of the United States Government (FY 2004)", which appeared last December. Portions of those articles are revised and incorporated herein. Current Detail and Options Where the official cash-accounting deficit for fiscal-year 2004 (year-ended September 30) widened by 10.0% to $413 billion, the broad GAAP-based deficit (including Social Security, etc.) blew up to $11.1 trillion (96% of GDP) in 2004, triple the 2003 deficit level of $3.7 trillion. Much of the increase in the broad GAAP-based deficit was due to a set-up charge from booking the 2004 "enhancements" to the Medicare system. Net of the $6.4 trillion one-time increase in net unfunded liabilities, the annual broad deficit was about $4.7 trillion, which still would have been a shortfall with 100% taxation. -----------------------------------------------------------------
U.S. Government - Alternate Fiscal Deficit and Debt (Source: US
Treasury; $s Are Either Billions or Trillions, as Indicated)
-----------------------------------------------------------------
Formal GAAP GAAP GAAP Tot. Fed-
Cash- Ex-SS With SS Federal Gross eral Ob-
Fiscal Based Etc. Etc. Negative Federal ligations
Year Deficit Deficit Deficit Net Worth Debt (GAAP)
-----------------------------------------------------------------
(Bil) (Bil) (Tril) (Tril) (Tril) (Tril)
------ ------ ------ ------ ------ ------
2004 $412.8 $615.6 $11.1* 45.9 $7.4 $47.3
2003 374.8 667.6 3.7 34.8 6.8 36.2
2002 157.8 364.5 1.5 32.1 6.2 32.7
-----------------------------------------------------------------
*$4.7 trillion, excluding one-time setup costs of the Medicare
Prescription Drug, Improvement, and Modernization Act of 2003
(enacted December 8, 2003).
-----------------------------------------------------------------
Nonetheless, the total numbers reflect something close to true liability. The new Medicare charges show how quickly politicians can make an already impossible situation significantly worse. By adding features to Medicare without setting up full funding for same, the Administration and Congress helped increase the total net present value of unfunded federal government obligations by 31%, from $36.2 trillion to $47.3 trillion in just one year. In like manner, any "fix" to Social Security, such as raising the retirement age, would result in a one-time change to the unfunded liabilities, but the ongoing annual shortfalls would be affected only minimally. An annual minimum broad GAAP-based deficit of $4.5 to $5.0 trillion appears to be in place. Wall Street hypesters recently have been touting how the official 2005 federal deficit will narrow from 2004, and the Administration is promising ongoing deficit reductions from the official 2004 level. First, if the economy falls into recession, which it appears to be doing, all such projections are worthless. Second, even if the promised cuts came to pass, after full reductions in an about-$4.5-trillion broad GAAP-based deficit, the mere billions saved would still leave the annual deficit rounded to about $4.5 trillion. The impossibility of the current circumstance working out happily is why lame-duck Federal Reserve Chairman Alan Greenspan has been urging politicians in Washington to come clean on not being able to deliver promised Social Security and Medicare benefits already under obligation. He suggests,correctly, that there is no chance of economic or productivity growth resolving the matter. The funding shortfall projections already encompass optimistic economic assumptions. The current circumstance also is why the Bush Administration has been pushing for Social Security reform, but the plans discussed do not come close to touching the magnitude of the problem. Most Congressional Democrats will not even admit there is a problem. Indeed, neither side of the aisle is willing even to mention the scope of the actual shortfall or talk about the Medicare problem, which is even worse than Social Security. If the Administration and Congress were willing to address the unfolding fiscal Armageddon, only two very unpleasant general solutions are available: * The first solution is draconian spending cuts, particularly in Social Security and Medicare, accompanied by massive tax increases. The needed spending cuts and tax increases are so large as to be political impossibilities. * In the absence of political action, the second solution is tacit bankruptcy, with the U.S. government facing some form of insolvency within the next decade or so. Shy of Uncle Sam defaulting on debt, the most likely eventual outcome is the Fed massively monetizing the U.S. debt, triggering a hyperinflation. U.S. obligations then would be paid off in a significantly debased and devalued dollar at literally pennies on the hundred dollars. These alternatives are politically unthinkable and unspeakable for the Administration and Congress, hence the silence. Yet, these same political bodies are responsible for the current circumstance, along with the acquiescence of the financial community and an uninformed or disinterested voting public. Decades of Deception -- Historical Perspective Misleading accounting used by the U.S. government, both in financial and economic reporting, far exceeds the scope of corporate accounting wrongdoing that keeps making financial headlines. The bad boys of Corporate America, however, still have been subject to significant regulatory oversight and at least the appearance of the application of GAAP accounting to their books. In contrast, the government's operations and economic reporting have been subject to oversight solely by Congress, America's only "distinctly native criminal class." [2] Nearly four decades ago, President Lyndon Johnson's political sensitivities led him and the Congress to slough off some of the costs of an escalating Vietnam War through the use of accounting gimmicks. To mask the rapid growth in the federal government's budget deficit, revenues from the surplus being generated by Social Security taxes were added into the general cash fund, without making any accounting allowance for the accompanying and increasing Social Security liabilities. This accounting-gimmicked reporting was dubbed "unified" budget accounting. The government's accounting then, as it is now, was on a cash basis, reflecting cash revenues versus cash expenditures. There were no accruals made for monies owed by or due to the government or to the government's trust funds at some time in the future. The bogus accounting understated the actual deficit for decades and even allowed for claims of budget surpluses in the years 1998 to 2001. While there were extensive self-congratulatory comments between the President, Congress and the Fed Chairman, at the time, all involved knew there never were any actual budget surpluses. There has not been an actual balanced budget, let alone a surplus, since before Johnson and his cronies cooked the bookkeeping. The doctored fiscal reporting complemented the short-term political interests of both major political parties. Additionally, the ignorance and/or complicity of Pollyannaish analysts on Wall Street and in the financial media -- eager to discourage negative market activity -- helped to keep the fiscal crisis from arousing significant concern among a dumbed-down U.S. populace. There were those, however, who believed the government's bookkeeping should be as accurate as possible. In the 1970s, the then "Big Ten" accounting firms proposed setting up for the federal government an accrual accounting and reporting system similar to that used in the business community. Purchases of capital equipment, weapons and buildings would be booked as assets and depreciated, taxes receivable and accounts payable would better reflect near-term cash needs. Accrued liabilities, such as Social Security payments due in the future, would reflect longer-term cash-flow needs. As the project progressed, GAAP accounting was applied to the government's operations and prototype annual statements were published beginning in 1974. The appropriate accounting for Social Security liabilities, however, was discarded during the Reagan administration as being politically untenable. Under the eventual mandate of Congress, the accounting project culminated in the U.S. Treasury publishing its first formal Financial Report of the United States Government for fiscal year 2000, consistent with GAAP, except for Social Security and similar accounts such as Medicare, Medicaid and the Railroad Retirement Fund. The gimmicked accounting standards, as established during the Johnson era, still guide today's official, unified budget reporting. To the credit of the current Bush administration, however, the later GAAP reports, published in April 2003, April 2004 and December 2004 for fiscal years 2002, 2003 and 2004, indicated for the first time since the 1980s what the Social Security and related numbers would look like if they were included in the accounting, just as corporations need to account for pension and retiree health benefit liabilities. An Important Aside, Re: U.S. Government Economic Data One of SGS' more important missions is to analyze, then report on the poor and deteriorating quality of "official" U.S. economic data. This growing lack of quality and the attendant diminution of accuracy contributes to bad business and investment decisions -- even bad political ones. In the June edition of the newsletter, we took our mission a step further with the following announcement: "Due to popular demand, SGS plans to begin publishing an alternate, monthly consumer price index by fourth-quarter 2005. The index numbers will be set -- not subject to revision -- and usable in calculations in the same manner as the official CPI. A history going back to 1990 will be reconstructed, with a bridge to pre-1990 CPI reporting. Annual inflation in the new series will tend to run about three-percent higher than the government's official inflation reporting of recent years. "A full methodology will be published, in advance, and results will be replicable. The SGS index calculations will be fully transparent and based on publicly available data, not on massaged surveying by the Bureau of Labor Statistics, or over-modeled and over-theorized price levels. Further details will follow in upcoming newsletters. Comments and suggestions are welcomed." Anyone wishing to learn more about this project and follow its progress is cordially invited to do so by letting us know at "CONTACT US". To help in properly responding to requests, we request that you provide your name as well as e-mail address. However, this is by no means obligatory. Dollar, Debt and Hyperinflation The financial-market counterpart to the federal deficit is federal debt, where gross federal debt was $7.8 trillion as of June 30, 2005. That level was $7.4 trillion at the end of fiscal 2004, of which $4.3 trillion was borrowed from the public and $3.1 trillion was borrowed from the government (i.e. Social Security). Therein lies the problem. There is and will be too much debt from the U.S. government for the financial markets to absorb and remain stable. The burgeoning deficit means the U.S. government will be increasing its debt level significantly for years to come. Near term, the amount borrowed will increase more rapidly than the markets are expecting, with the economy slowing down and entering recession. The ultimate question is who will lend the money to the U.S. Treasury? The answer is not U.S. investors. The Federal Reserve's flow of funds accounts show that foreign investors, both official and private, owned 42.5% of U.S. Treasuries at the end of 2004, up from 18.2% at the end of 1994. In 2004, foreign investors bought 98.5% of new U.S. Treasury issuance. (See "A Look at Foreign Investment Behavior in the Latest Flow-of-Funds Data," courtesy of Gillespie Research Associates.) Part of the reason for this relates to another deficit crisis the United States faces on the trade front, where an exploding trade deficit is throwing excess dollars into global circulation. By holding dollars and investing in Treasuries, instead of converting dollars to a local currency, foreign investors have been helping to fund much of the U.S. deficit. The combination of the rapidly deteriorating trade and budget deficits guarantee this will change. At some point, willingness among foreign investors to hold dollars will evaporate along with the reality that currency losses are more than offsetting any investment gains. When sentiment shifts away from the greenback, not only are foreign investors going to stop buying U.S. Treasuries, but also they likely will dump their holdings of existing Treasuries along with the U.S. dollar. Such actions would lead to a sharp dollar decline, a sharp spike in interest rates and a sharp sell-off in equities. The question, again, is who is going to buy the Treasuries? With new debt continually hitting the market, eventually the Fed will have to step in to buy the Treasuries -- as lender of last resort -- effectively monetizing the debt. The more the Fed monetizes, the greater will be the growth in the money supply, the greater will be the weakness in the dollar, the greater will be the rate of inflation. Where the numbers already are there for this to happen, fiscal pressures will get even worse. Already, the Pension Benefit Guaranty Corporation looks like it needs a federal bailout. As the economy deteriorates, the Congress or the Fed will step in as needed to prevent the collapse of any major financial institution that would threaten the system. Such action, though, will prove fiscally expensive. The Fed let the banks fail in the 1930s, which helped intensify a decline in the money supply. That in turn was given major credit for deepening the Great Depression. The Fed will try to avoid the mistakes of the 1930s, but, in the process, it likely will end up triggering a hyperinflationary depression. Last year, we discussed in some detail that the U.S. government's sovereign credit rating of AAA more appropriately should be around B-, a below-investment-grade category, based on the 2003 GAAP statements ("Federal Deficit Reality".) Based on the 2004 GAAP statements, that rating now should be at C-, just above the default level. Never has an investment-grade overeign rating, let alone a AAA country, been supported by such negative extremes in underlying fiscal condition. Based on the latest numbers, the broad GAAP deficit for 2004 represents 96% of GDP, up from 33% in 2003, with total obligations now at 409% of GDP, up from 334% in 2003. For political reasons, none of the rating agencies are likely to take a credit action against U.S. Treasuries under current circumstances, but that could change in the event of a major dumping of U.S. securities by those wishing to exit U.S. dollar exposure. As noted by Fitch Ratings [3] in its Sovereign Ratings Rating Methodology: "Sovereign borrowers usually enjoy the very highest credit standing for obligations in their own currency. If they retain the right to print their own money, the question of default is largely an academic one. The risk instead is that a country may service its debt through excessive money creation, effectively eroding the value of its obligations through inflation." Such has been the traditional cure for countries that borrowed so far beyond their means that they ended up with a choice between bankruptcy and hyperinflation. Hyperinflation seems to be the easier political route, although, for the first time, it will involve the world's primary reserve currency. In a hyperinflation, the currency very rapidly becomes worthless. In the classic case of the Weimar Republic of the 1920s, a 100,000-Mark note became more valuable as toilet paper than as currency; wheel barrows full of currency were needed to buy a loaf of bread; an expensive bottle of wine one night was worth even more the next morning, empty, as scrap glass. That is the eventual environment the United States faces because of its out-of-control fiscal madness. For decades, "The deficit doesn't matter" and "The dollar doesn't matter" have been guiding principles in Washington. The deficit and the dollar do matter, greatly, as Washington, the U.S. public and the global markets will learn shortly. A New Gold Standard? The dollar, as we know it, soon will be history. Dollar inflation has been through a number of cycles since the founding of the Republic, but its current perpetual uptrend -- net of some bouncing during the Great Depression -- only began once the Federal Reserve was created in 1914. Now, with fiscal policy careening beyond any chance of containment, the Federal Reserve will get to oversee the U.S. currency's demise. It is not that the Fed wants to monetize the federal debt and trigger a hyperinflation -- the U.S. Central Bank certainly will do its utmost to avoid that outcome -- but it will have no politically acceptable alternative. The system otherwise would tend to right itself anyway through the economic shakeout of a hyperinflationary depression. While the Fed might hope to mitigate and to control the disaster, given the Fed's nature, it is more likely to exacerbate conditions rather than to improve them. When the dollar loses most of its value, through hyperinflation and/or currency dumping, the global currency system and economy will be in shambles, and a new currency system will have to be established. Those setting up the new system will need to establish its credibility, and there is only one monetary asset that can accomplish that: Gold. Gold is the only commodity that has held up as a liquid store of wealth over the millennia. The amount of gold used to buy a loaf of bread in Ancient Rome still buys a loaf of bread today. In like manner, the amount of gold that bought a regular haircut for a man in 1914, still buys a similar haircut today. Where the public does not trust today's politicians and central bankers, it does trust gold. Whatever structure evolves for the new currency system, it most likely will have gold at its base. That is one reason that central banks rarely have followed through on threatened gold sales in recent years. The threats usually were nothing but jawboning aimed at depressing current market prices. Those countries holding the most gold will have the greatest advantage in any new currency system, and the central bankers know that, including Mr. Greenspan. Timing of Related Currency and Financial Market Troubles Central banks, OPEC, corporations and investors, both foreign and domestic -- as holders of U.S. dollars -- increasingly will sense or realize the greenback is headed for the dumpster. It only is a matter of when, not if. The dumping of the U.S. dollar and/or U.S. debt by investors likely will hit quickly, with little advance notice. All the official actions that in turn could trigger hyperinflation would follow rapidly, with a full-fledged dollar collapse and developing hyperinflation possibly unfolding in a matter of weeks. When this will happen is the tough question. It could be years; it could be next week. Without knowing the precise proximal trigger of the shift in sentiment against the U.S. currency, the timing is impossible to call. Nonetheless, some early warning signs may be evident in unusual anti-dollar activity in the currency markets, or in unusually sharp and unexplained spikes in the price of gold. It would be extraordinarily surprising if the ultimate dollar collapse can be held off three to five years, let alone a decade. The pending global financial crisis conceivably could break in the immediate future, triggered possibly by one or more of the following developments: action by China to peg its currency to a basket of currencies instead of the dollar, OPEC pricing oil using a basket of currencies instead of the dollar, a sovereign credit rating downgrade on U.S. Treasuries, a major terrorist act, a very bad monthly trade report, a misstatement by an Administration official or some other event that may appear obvious in retrospect. If you would like information on Shadow Government Statistics, be be sure to CONTACT US. Footnotes: [1] "2004 Financial Report of the United States Government." The full document is available as a PDF file at www.fms.treas.gov/fr/04frusg/04frusg.pdf. The table published in the Overall Perspective on page 11 shows the $11.1 trillion annual eterioration in the government's net worth. As an aside, check the GAO's auditor's letter as to why they will not certify the statements. [2] Samuel Clemens. [3] Fitch Ratings website. Wednesday, January 18
by
salvador rosillo
on Wed 18 Jan 2006 10:04 PM EST
Cuban exile activist ends 12-day hunger strikeBY OSCAR CORRAL
ocorral@MiamiHerald.comCuban exile activist Ramón Saúl Sánchez ate strawberry gelatin and sipped potato broth not long after giving up his 12-day hunger strike today -- once the White House promised talks with exile leaders long upset by the U.S. ''wet-foot, dry-foot'' policy. ''It was the best gelatin and the best broth I've ever eaten,'' he told The Miami Herald Wednesday afternoon. Sánchez said that the White House statement given to The Miami Herald Tuesday night -- coupled with the word Wednesday morning of a lawyer involved in the case of 15 repatriated migrants -- was enough to compel him to end the strike. ''I feel very happy, I feel that a principle right of citizens to ask the government to be heard has been granted, and the first victory is the government's for having listened to us,'' he said. White House spokesman Blair Jones told The Miami Herald Tuesday night that the Bush administration would meet with exile leaders to hear their concerns. ''The administration has reached out to representatives of the Cuban-American community to express our interest in hearing and understanding their concerns about U.S. migration policy toward Cuba,'' Jones said, adding that discussions were under way to determine a meeting date. Sánchez started his hunger strike the weekend before the U.S. Coast Guard repatriated 15 Cubans on Jan. 9 who were found on pilings in a section of the old Flagler Bridge in the Florida Keys. The Coast Guard determined that because the inoperable bridge is not connected to land, the migrants were ''feet wet'' and should not be granted asylum. Minutes after Sánchez ended his strike, he was taken to Coral Gables Hospital for medical attention. Sánchez said Wednesday that doctors at Coral Gables Hospital had also connected an intravenous tube to nourish him and that he would likely stay at the hospital overnight for tests. On Tuesday, Florida Gov. Jeb Bush, who was in Miami, said that he and Auxiliary Bishop Agustín Román had been negotiating for several days to help broker a meeting in Washington between Bush administration officials and Cuban exile leaders to discuss the policy, which was crafted by the Clinton administration in 1995 as thousands of Cuban rafters took to the seas to reach U.S. shores. The family of some of the 15 repatriated migrants filed a federal lawsuit last week. U.S. District Judge Federico Moreno suggested that the Department of Homeland Security acted illogically when it decided to send back the Cubans who had landed on the abandoned bridge. A hearing on the government's planned motion to throw out the case is set for Feb. 15. Under the wet foot, dry foot'' policy, Cubans who reach U.S. soil are generally allowed to stay, while those stopped at sea are returned to the communist-ruled island unless they can demonstrate a fear of persecution.
by
salvador rosillo
on Wed 18 Jan 2006 09:37 PM EST
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NEVER look at a banana in the same way again! Tuesday, October 04, 2005Serious Riders, Your Bicycle Seat May Affect Your Love Life
Some saddle designs are more damaging than others, scientists say. But even so-called ergonomic seats, to protect the sex organs, can be harmful, the research finds. The dozen or so studies, from peer-reviewed journals, are summarized in three articles in September's Journal of Sexual Medicine. Thursday, September 29, 2005THE WORLD
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by
salvador rosillo
on Wed 18 Jan 2006 07:32 PM EST
GOTHAM NEWSNEWS ABOUT GOTHAM CITY AND ELSEWHERE AROUND THE MIND About Me
GOOGLE ME Saturday, November 19, 2005Brazil Weighs Costs and Benefits of Alliance With China
gotham news Friday, November 18, 2005Indignant Castro claims to feel `better than ever'
gotham news Wednesday, November 16, 2005Castro has Parkinson's disease, CIA has concluded
gotham news Thursday, November 10, 2005Allied Interstate, ATTORNEY GENERAL TAKES ACTION AGAINST DEBT COLLECTORS
gotham news Thursday, November 03, 2005For '73 Rape Victim, DNA Revives Horror, Too
gotham news Wednesday, November 02, 2005Cibotium Barometz,Pengawar Djambi ,Paku Eidang. Golden Moss
gotham news The Scientific Investigation of Ayahuasca
gotham news Tuesday, November 01, 2005Add Greenspace to New York's Rooftops! Add Greenspace to New York's Rooftops!
gotham news Monday, October 31, 2005Freddy goes for Bloomy's throat
gotham news Arts Groups Pessimistic Over Prospects for Culture Downtown
gotham news A Funeral Home Investigation Considers the Macabre
gotham news Telefonica of Spain Announces Takeover
gotham news Saturday, October 29, 2005The Roots of Hispanic
gotham news Thursday, October 27, 2005New York State Government Affairs
gotham news Investigation of Towers' Fall Is Criticized
gotham news Wednesday, October 26, 2005Engineers Report Breakthrough in Laser Beam Technology
gotham news Sunday, October 23, 2005My Everything
gotham news
by
salvador rosillo
on Wed 18 Jan 2006 07:30 PM EST
POEM NOTESPOETRY AND .... Wednesday, December 14, 2005MOTHER
I am not Your Mother... Fucker! @museum salvador rosillo 2005 Monday, November 21, 2005La Realidad
La realidad la realidad se desmorona constantemente mientras se realiza realmente real @ museum salvador rosillo 2005/11/21 Monday, November 14, 2005LIFE's
Life’s Commentaries are Very interesting Nice and quick But I think….. There is no Set pattern Or manner To develop Or follow…. Unless you want It to be so Or cannot get Out from under The one your Born into @museum salvador rosillo 11/14/2005 life
Life Life Life Life Is A Cannibal @ museum salvador rosillo 11/13/2005 Saturday, October 29, 2005We Weren't Meant to Go There
We Weren't Meant to Go There Atropa belladonna by Karadur DOSE : oral Belladonna (extract)First of all I like to inform all that playing with belladonna is like playing with dynamite. LSD, X, DMT are no comparison to atropine based plants. With most these drugs no matter what you see (I do not call for example LSD a hallucinotory susbstance, it causes severe distortion of sight, sound and mind) you are still aware that the plant or chemical are responsible for the effects. With belladonna the entire concept of reality goes down the drain, the very fabric of reality will break down. you can be sitting down watching t.v. at one moment and next you see your dead grandmother next to you on the sofa asking for more tea. I am not kidding here you will not know what is real and what is not. I personally took a bath with over million insects and did not know that this was not real. You can be contacted by numerous alien entites (remember witches at sabbat using among many other things belladona, visiting satan himself) that either can frighten you to death or make you touch an angel. Now enough scaring you. No, not enough you can easily die and I mean easily. I suggest to you to soak the belladona in the rubbing alchohol for a couple of days, and then evaporate the remaining fluid outdoor on the electric grill (alchohol and flame oven or grill do not mix) until you get a gum resin. Start by taking about 0.2 gram of this stuff. Definitely have someone with you, have a number of a hospital with posion center available (do not be afraid belladonna is not illegal). Last note even seasoned trippers like Terence McKenna are afraid of where a belladonna trips takes them. As Terrance once told me, the places belladonna takes you, you were not meant to go. Exp Year: ID: 1778 Added: Jun 13, 2000 Views: 39284 remember the 1980?
Thursday, July 29, 2004 Remember the 1980's Remember the 1980's ? was the question heard after a pause I said.....God ! man, in those days the sun was stronger brighter or so it seemed we were younger and thought dead was not meant for us but, for others far removed distant in the new sit was forever we were forever but NO it was not to be that way but this way the way it is although Castaneda talks about a way to survive death he calls it the Eagle life ends but not for allTibetan Buddhism says you can createa spiritual body that will survive death we lived it fully to the brim and I do not mean living drunk living drugged living medicated no no no not that way but living meditated very well meditated @ museum salvador rosillo july 23 2004 PEEPING TOM
PEEPING TOM Your Tucked Peeping Days Taking Quickly Our Moon Songs Won't Be Moved By Fireside Snows Coming Peeps Will Stiffen You museum salvador rosillo @ 04/15/05 GOOD
GOOD Good Came Afraid Of change Finding Life Deeply Afraid Rejecting Heady Future Goes On Living Sorrows Misfortunes So Afraid @MUSEUM SALVADOR ROSILLO Reality Check
Reality is Ambigous Until Measured Then It Changes To Certanties Time Does Not Flow Forwards Or Backwards It Is An Illusion Imposed By Our Minds Watches Do Not Agree Past Present Future Are Only Inside Our Minds From Order To DisOrder Is The Rule museum salvador rosillo 01/07/05 DARK FAIRIES
GIANT MONKS REMINISCENT OF GOLD SPARKS FOUND GARGANTUAN MANMADE MOONS UNDER LUBRICATED PANTHEON CLOCKS DARK FAIRIES SHADOWS INSISTS ON DECEIT @museum salvador rosillo 04/25/2005 Wednesday, October 19, 2005"KING CLOUD"
SKY GOSPEL MOUNTAIN JILL ME AWAY EVE CARRIED HOT FURLONG MOON KING CLOWN RAINDEER BUCKET COCOON FROM END TO END museum salvador rosillo @ 04/06/05 QUIVER BLOB
XXtewntywordspoems20 JUST EXPECTING PATENT NOISES CHURCH LADIES GLANCE QUIVER BLOB SETTLING QUIETER CREAKING DINING COFFEE ROOM HOUSE INTERMINGLED CARNATIONS CASSEROLES FAMILY CAKES MILLION TO GOD
xxTWENTYWORDSPOEMS20 HOW KIDS DESIRE MOTHER'S CHORTLE HER HOT SOFT DELICIOUS KINTAIL DISAPPEARED TO A FRIEND SHE IS USUAL A MILLION TO GOD museum salvador rosillo @ 03/04/05 XSLAVES
TATTERED MOSES PROMISED LAND FEROCIOUS ANGELS MADE GOD SAID EARTHLY NOSTRILS DO GIVE EYES XSLAVES LOOKING FOR FREEDOM FOUND "PHEROMONES"
XXtwentywordspoems20" "PHEROMONES" THE NEXT TIME I SEE THAT WOMAN I AM GOING TO TAKE A BATH IN PHEROMONES JUST BEFORE OUR APPOINTMENT museumsalvador rosillo @ 02/23/05 DEALER MAN
I HAVE A DEALER (MARIJUANA) WHO IS A CROOK BUT HE GOES TO CHURCH EVERY SUNDAY NEXT TIME I SEE HIM I WILL ASK HIM WHAT? WHAT DO YOU LOOK FOR IN CHURCH THAT CANNOT BE FOUND EVERYWHERE ANYWHERE ANYTIME OUTSIDE OF IT? museum salvador rosillo 04/01/05 " VENUS FOUND "
XXtwentywordspoems20 UPWARD'S PULSING VENUS FOUND TIMES PRESSED CROWS AND HIPS FOLLOW MANDOLINS FROM YOUR CITY HALL WITHOUT THROUGHOUT LIFTING ANY LIVES @museum salvador rosillo 06/23/05 " THICK LIPS "
XXtwentywordspoems20 WILL EDWARD'S MIGHTY BLIND MIND LISENING-EAR VIOLIN'S SIGHT THICK LIPS SANCTUARY CANNOT MAKE PORT FROM EDWARD'S RED SAIL BOAT CHEST @museum salvador rosillo 06/45/05 " FLY OUT "
XXtwentywordspoems20 FLY OUT SKY BOAT PRESSING ARMS CREATING NIGHT DOVES WHILE LINE WATER STILTS DESIRE YOUR LAUGH MY MUSIC AND ME museum salvador rosillo @ 06/12/05 " YOUR BREASTS "
XXtewntywordspoems20 LIGHT MEETS YOUR BREASTS WHILE HIS FEATHERS SEE YOU LIKE NEVER GOD LAY EYES ON YOU YOUR BLOOD HEARS MUSIC museum salvador rosillo @ 06/12/05 MY BLOG---Published: 2005.04.26 02:55PM EDT
MY BLOG Well,Well Here We Are, Opening Night Is Here, So Now I am Part of The Two To Seven Percent Of Adult Internet Users That Keep Up A WeBlog But Only Ten Percent Of That Number Do Up Date Daily While A Small Percent Updates Several Times Per Day I will Probably Be Like That Unless I Do Not Feel Like It At The Time Also I Might Place A WebCam Out The Window To Show The Rebuilding Of The Ground-Zero Site In Lower Manhattan Where I live And Work And Join The Other Seven percent That have A WeCam Turned On Of Course The Margin Of Error Is Plus / Minus Three Percent So There You have it What Was Wishes Became Now And Now Is Past Such Is Time An Invention Of Our Brains Minds Or Hearts One Third Of The BioMass On Earth Are Tiny Bacteria Living Tens Of Feet Below The Surface Light Without Oxygen Without Sunlight Making Methane Gas Round The Clock 24/7 A Menacing Possibly A Destructive Giant Fart So Do Not Ever Stir The Ocean's Bottom Muck Or Else ! Museum Salvador Rosillo '05 Tuesday, October 18, 2005PLEASE STOP!
Please stop calling these peoples HisPanics, they are NOT, the evil minded Casper Weinberger came up with the idea of forming a board of appointed persons to sit down and come up with a name for all the different peoples native to the land pre Anglo invasion this barely susebtible guided board came up with the denomination of Hispanic being that all this different peoples seemed to share a Spanish Cultural roots so the reference Hispania SPAIN and it's Culture to whatever degree might have been absorbed or manifested by Spains worldwide progeny so this kangooroo census bureau and an unauthorized currupted Congress rubber stamped it into law and into the 1980 census forms afterwards came the promotional campaing they came up with that demeaning terminology back in the 1980 census forms this terminologyis now being parroted and widely used as a racial category, look it up, white (not hispanic) black (not hispanic) hispanic white (not white) hispanic black (not black) Back way then in elementary school we were told do not mix apples and oranges when counting, unless you are counting fruits, the census bureau calls whites some people, but they look pink, it calls blacks other people when they are dark brown and then call others hispanics, which rhyms with SPICS, Europeans come from Europe, many Hispanics came from Europe originally Africans came from Africa the called catch all word Asians came from Asia except some say that Asia begins in Turkey but now Turkey is to be European so inside this so called Asians there are Chinese types Hindu Types European Types but that is their problem to sort in the future most likely they will do their darnest to recreate a distorted image of the thing they left behind, so be it We come from here we come from America which is a Continent, just look it up, this American Continent streches from Pole to Pole and from sea to shining sea is in spite of your willfull ignorance, since you seem bent in calling the United States (OF) America, America it is as if Germany would call itself Europe and the other Europeans would be something other than Europeans above in your own website information request forms when one gets to choose country it says United States OF America. I wonder do you know what OF means? do you even care what the histories of America might be like,other than your own of course,of course look up any dollar bill, it says United States OF America, it does not say AMERICA, you are doing what the Africaaners tried to do which is name something and appropiated it, this Continent has been called America for more than 500 years the United States OF America is only existing since 1776, I am sure you can count. This is a great country why are you ruining it with this useless lies. Our name is AMERICANOS AMERICANOS AMERICANOS not Hispanics, I proudly served in the Armed Forces defending you, others and also the likes of the bastards that are slandering at least me and I am sure others as well I wonder how many of those people did serve this country? few and far in between I am sure of that...... I live you with a little poem of my making it is called...... PANIC I PANIC YOU PANIC THEY PANIC WE PANIC US PANIC YOUR PANIC IT PANIC SHE PANIC HIS PANIC thank you museum salvador rosillo '05 THE THRILL
THE THRILL IS GONE! ONLY THE PILLS REMAIN! @MUSEUM SALVADOR ROSILLO 10/18/2005 Saturday, October 15, 2005good artists
GOOD ARTISTS IF YOU ARE A GOOD ARTIST THAT EATS HISHERS WHEATIES EACH AND EVERY MORN’G AT THE SAME TIME DAY IN AND DAY OUT THAN I AM CERTANTLY SURE THAT THE TOOTH FAIRY WILL FIND OUT ALL ABOUT YOUR GREATNESS WILL BRING YOU WORLD ACCLAIM AND ADULATIONS PUSSIES GALORE OR STANDING PETERS YOUR CHOICE…. YOU’LL BE ABLE … TO HOBNOB WITH THE IN CROWD MAYVE YOU WERE REALLY LOOKING FOR A “RIGHT CROWD”TO BE INSIDE AND PAINTING… WAS THE WAY TO BE IN THE IN CROWD? MAYBE YES?... MAYBE NOT?... IN ANY CASE YOU… AND THE PICTURES OF YOUR WORK AND YOURSELF WILL WILL MOST DEFINETLY BE APPEARING EVERYWHERE AT ABSOLUTELY NO COST TO YOU OTHER THAN THE SIXTY PERCENT COMISSION PLUS THE OTHER DISCOUNTS THE ART GIFTS YOU MIGHT PROVIDE..HOPING TO APPEASE THE HUNGER… AND THE LOST OR THE NOT RETURNED PAINTINGS AND OTHER WORKS YOU MIGHT HAVE BEEN ABLE TO PROVIDE UPFRONT…AS A WAY OF BASICALLY FUNDING THEIR BUSINESS… YES, YES,YES, ALL OF IT COULD BE YOURS IF YOU ARE AND KEEP BEING A GOOD ARTIST AT HEART! @ Museum Salvador Rrosillo 10/15/05 Wednesday, October 12, 2005New Business Idea
New Business Idea A franchised Or chained series Of sheep Whore houses Open for the lunch Crowd also Open for quickie Random appointments Proposed locations All major World Corporate headquarters Centers @ museum salvador rosillo 10/06/05 coitus
COITUS FUCKING DOES NOT SCARE ME AT ALL…. IS THE APREZ… FUCKING… THAT FRIGHTENS ME TO THE CORE!!! @museum Salvador Rosillo 10/13/05 Odelia and Nathan
Hello Odelia and Nathan: As per our telephone conversations I will be ready for pick up On Friday around 10.00 a.m. So we can all attend the closing Of 49 Vernon St, Brooklyn, N. Y. I feel we could had closed this Deal much faster without so much Hard bargaining, o the likes of you need to do This You need to do that You need to do the other…….., As you might remember when I first went to your office I said to you …. That my intention was to buy from you other properties…. I would still love to do that As soon as we close on this one Let’s us start another……. I am ready to RUMBLE! Are you? Must we struggle For every bit of rarified air? Mayve .that is our destiny… But I think other wise….. So, for this deal which Should seal the beginning Of a long and fruitful business Relationship between us I would like it to receive $ 2,000.00 at closing a symbolic gesture of goodwill Thank You and Happy Holidays @Museum Salvador Rosillo 10/12/05 trip to europe
TRIP TO EUROPE When I went to Europe for the first Time I found in most Bathrooms many a strange Low lying Water fountains Almost at floor level alll of them... I looked I searched All over.... the place But could not see Not one of the little People that obviously Were drinking from Them Fountains!? @museum salvador rosillo 10/13/05 Sunday, October 09, 2005Predict: (Blank) Will Disappear in 35 Years
By THE NEW YORK TIMES Published: October 9, 2005 To commemorate its 35th year, Foreign Policy magazine asked 16 well-known thinkers to "speculate on the ideas, values and institutions the world takes for granted that may disappear in the next 35 years." One decisive response came from Peter Singer, the Princeton philosopher, who wrote that "the traditional view of the sanctity of human life will collapse under pressure from scientific, technological and demographic developments." Richard N. Haass, the president of the Council on Foreign Relations, was almost as pessimistic about the future of national sovereignty: Nation-states will not disappear, but they will share power with ... corporations, nongovernmental organizations, terrorists groups, drug cartels, regional and global institutions and banks and private equity funds. Sovereignty will fall victim to the powerful and accelerating flow of people, ideas, greenhouse gases, goods, dollars, drugs, viruses, e-mails and weapons within and across borders. All of this traffic challenges one of the fundamentals of sovereignty: the ability to control what crosses borders. Sovereign states will increasingly measure their vulnerability not to one another but to forces of globalization beyond their control. ... Implicit in all this is the notion that sovereignty is conditional, even contractual, rather than absolute. If a state sponsors terrorism, develops weapons of mass destruction or conducts genocide, then it forfeits the normal benefits of sovereignty and opens itself up to attack, removal or occupation. No-Go Carts Why won't shopping carts go where shoppers point them? Matt Palmquist explains in the September-October issue of Chow magazine. Most U.S. shopping carts are equipped with front caster wheels, not unlike those on a desk chair, which can swivel in any direction. Sometimes all four of the wheels are swiveling casters, which makes the cart almost too maneuverable and hard to push around corners. More often, a cart's back wheels are fixed to roll straight. But because carts see such high traffic, are pushed over hazardous floors and are frequently the victims of aisle rage, it's easy for the metal base of the cart to become bent. When that happens to a fixed-rear-wheel vehicle, the driver's own force has to make up for the cart's wayward path. ... Proper weight distribution will help you steer: load the heaviest items in the back, above the rear-wheel axis. Dating vs. Love The fall issue of the magazine N+1 contains an unsigned essay called "Dating," which suggests that the mating ritual is a hopeless but unavoidable activity. Dating presents itself as an education in human relationships. In fact, it's an anti-education. You could invent no worse preparation for love, for marriage, than the tireless pursuit of the perfect partners. Keep Looking, says dating. You're Not Done Yet. What About That One? And That One? Dating, like the tyrant, seeks perfections (within a certain price range). Whereas the heart, like the eye, can only cling to imperfections: her funny stride, and the way her voice breaks, child-like, on the phone. And so the dater, self-baffling, seeks what the heart cannot understand. More Lawyers=More Jokes The Times Literary Supplement reviews "Lowering the Bar: Lawyer Jokes and Legal Culture," by Marc Galanter, which examines why, as seen in their jokes, Americans hate lawyers. The review, by E .S. Turner, is available at www.the-tls.co.uk/this_week/story.aspx?story_id=2112044. A favorite American riddle runs: "What do you call 600 lawyers at the bottom of the sea?" The answer is "A good start." ... In Galanter's words, the American public had chosen lawyers as a screen on which to project their animosities. But why? It was no surprise that the expansion of prejudice coincided with the huge increases in lawyer numbers over recent decades. ... The reason for the rise in numbers Galanter attributes to "the increasing legalization of society" expressed in "a decentralized legal regime in which any activity is subject to multiple bodies of regulation ... " ... Was there ever a better specification for a lawyers' paradise? Americans tolerate this system, it appears, because they "rely more on law (and correspondingly less on government) as a vehicle of justice." New Business Idea
New Business Idea A franchised Or chained series Of sheep Whore houses Open for the lunch Crowd also Open for quickie Random appointments Proposed locations All major World Corporate headquarters Centers @ museum salvador rosillo 10/06/05 Saturday, October 08, 2005TWOWAY
TWOWAY After obtaining Your freedom Can you get rid Of business ? @museum salvador rosillo 2005 NO PROBLEMO!
Mr.Salvador Rosillo Thank You very Much For Your Contribution To The Fernando Ferrer Mayoral Campaing... NO PROBLEMO! I STILL WOULD LIKE TO HEAR FROM SOMEBODY HOW DOES MR.FERNANDO FERRER PLANS TO DEAL WITH THIS FESTERING WOUND ISSUE THAT STRETCHES BACK TO EVIL KOCH WHO IS RESPONSIBLE FOR THIS BETRAYAL TO THE DOWNTOWN ARTIST COMMUNITY WHICH SINGLE HANDEDLY HELPED REVERSE THE URBAN FLIGHT FROM THE INNER CITY (MANHATTAN) AND CREATED AND OPENED THE WAY FOR THIS REAL ESTATE BOOM MARKET DOWNTOWN AND THROUGHOUT THE WORLD ACTUALLY WE MADE LOFT LIVING POSSIBLE AND FOR THAT WE HAVE RECEIVED NOTHING BUT CHAGRIN, UNCALLED FOR LEGAL HARASSMENTS WITH MOST PUBLIC OFFICIALS OBLIVIOUS AND UNINTERESTED IN THE LEAST CASES, AGRESSIVE AND BELIGERANT IN THE WORSE SCENARIOS, IN ANY CASE WE NEED RELIEF TO EMERGE FROM CITY HALL SINCE AS I MENTIONED, SINCE INFAMOUS KOCH LEFT THE OFFICE NOT ONE OF THE CITY HALL OCCUPANTS DONE NOTHING TO ALLEVIATE OUR SUFFERING WE ARE MAD AS HELL AND WON'T TAKE IT ANYMORE!!!! PLEASE TELL US YOU’RE PLANS FOR US? THOUSANDS OF LOFT TENANTS AT THE END OF THEIR ROPE THANK YOU AND GOOD LUCKMUSEUM SALVADOR ROSILLO 2005 THROWN STONES
THROWN STONES Is a thrown stone Aware of the ripples It has created Each time it hits And bounces off The waters surface? Yes! It knows! Yes! It’s aware! Yes! It knows Specially after Smoking B,C, Green! It knows for sure! @Museum Salvador Rosillo 2005 REAL ESTATE VIRGINS
Real estate virgins The thunder that Sparks the clouds To release their Laden rains out On to the parched Earth is Coming over To see you Get ready To RUMBLE!!! @Museum Salvador Rosillo 2005 Thursday, September 29, 2005THE WORLD
THE WORLD DISSOLVES BEHIND ME I KNOW I HAD OTHER WORLDS MANY WORLDS BEFORE THIS MOMENT WORLD IN BROOKLYN OR ST. ELSEWHERE WHERE EVER IT IS I AM I HAD OTHERS WORLDS BEFORE THIS ONE WORLD APPEARED IT IS A VERY LONG AND A VERY SHORT STORY THIS WORLD WON'T BE HERE TOMORROW OR THE NEXT MOMENT NO IT WON'T BE NO MORE ANOTHER MOMENT WORLD WILL TAKE IT'S PLACE IN A MOMENT'S MOMENT IT WILL AND THEN IT WILL ALSO GO AWAY BUT FOR SOME TIME YOU AND I WILL REMAIN MOVING ALONG HOPSCOTHING ABOUT CROSSING THE RIVER OF MOMENTARY WORLDS A STONE AT A TIME A WORLD AT A TIME MOMENT TO MOMENT WHAT WE THING WHAT WE WRITE WHAT WE SAY WHAT WE EAT WHAT WE DRINK WHAT WE DO MAKES A DIFFERENCE DETERMINES WHICH MOMENTS WE WILL LIVE THROUGH ALL MOMENTS WILL GO AND OTHER WORLDS MOMENT'S WILL COME ALWAYS UNTIL THEY STOP COMING IF THEY EVER DO STOP WHICH WILL STILL BE A WORLD MOMENT OF SORTS...... BEFORE ME NOTHING IS YET VERY CLEAR WHERE WHAT WHY WHOM OR HOW WILL THE WORLD RE-APPEAR RE-FORMED WORLD RE-NEWED WORLD SO I AT THE TIMES IN-BETWEEN ETERNAL WORLD TIMES AND MOMENTARY WORLD TIMES MOMENTS I STEP OUT AND GO FORTH FULLY ALERT WITH MIND ON ITS TOES AND MINDING WHERE MY TOES ARE NOT FLINCHING AT ALL ONWARD ONWARD I GO FORTH I GO AHEAD ADELANTE ADELANTADO ADELANTE! THE WORLD THE LIFE ARE PLASTIQUE THEY MOLD TO YOUR WISHES AND NEEDS AT A PRICE EVERYTHING HAS A PRICE NOT EVEN NOTHING IS FREE!!! 07/20/05 museum salvsdor rosillo @ 2005 Tuesday, September 27, 2005Suicide-Bombers
Hello; It seems to me that the suicide bombers got their start in Israel/Palestine. Like a body infection it has spread all over I was partially paralized and still recovering four years later... still...I am lucky! but, still.. i was paralized by the toxins released into the air and water caused by the suicides of the would be pilots... the manchurian candidates that came to crash the planes against the World Trade Center Towers in my neighborhood in Tribeca a neighborhood which was developed by.. we the Pioneer Artists which came here in the late sixties and seventies and early eighties for which City Hall irrespective of who occupies the office since the days Evil Koch left office to the present day occupant...has done not much to help us and lots to unduly hamper us.. we, The Pioneer Artists have not been able to rest or work as much as we could always harassed by the mortgage holders (landlords) which seem to be protected by all city services and agencies I am for free enterprise I am for a free market also! but,this ain't it at all! smells third world.. while we the artists-tenants suffer the consecuencess of the needlessly lopsided justice system we only want justice no loaded dice justice why has this system has unleashed a 23 years long campaign of harassment against us complete with psudo lawyers and kangooroo courts why? why? tell you why... GREED pure and simple GREED we are not a developed race a doctor friend of mine once told me that 95% +of those that he had to inspect rectally were carrying a piece of fecal matter hanging from the hairs like so many dogs I've seen so, how about that image of god you's. how about that? eh? not my idea.. true medical reporting anyway..... we cannot heal this wound by going after the sick ones " suicidebombers" we must eradicate the source of the problem... those books...... the evil books they read...... everyone reads .. mostly evils books..... and that was and remains in Israel / Palestine If we are to continue to fund and feed that conflict depending on who votes in our flawed special interest riddle voting system.. recently I voted in the primary i wanted to do a write-in vote the Chinese Made voting machine did not worked it would not open the correct slot so I have to write-in in the wrong box to the indifference of the clueless voting officials present.... at least we should demand concrete results and i do not mean to fund and promote the Israel/Palestine different parties hopes and wishes for the land.. or for this or the other I mean we want peace and quiet this fight is not our fight to fight it has tried to become our fight this is their fight the Israel/Palestine I am an Army Vet and this is not our fight at least not my fight... please get out of our lives sal museum salvador rosillo "EL CULO APRETADO "
Previous: FASTER THAT EYES Next: PEDRO PIETRI "EL CULO APRETADO " MUCHAS VECES CUANDO ESTOY CON LA PUNTA DE LA LENGUA ENTRE EL PRINCIPIO DE LOS DIENTES Y EL PALADAR PARADO DERECHO DE PUNTILLAS CON EL CULO APRETADO COMO DEBE DE PARARSE UNO PARA ORINAR ES UNA FORMA TAOISTA PARA PRESERVAR LA PROSTATA HASTA LA MUERTE SE NECESITA UN CUERPO SANO PARA MORIR SANAMENTE EN ESOS MOMENTOS........ ORINANDO.......... ME VIENEN A LA MENTE MUCHAS IMAGENES DE EL PASADO.... MIS PRIMOS LA FAMILIA, MIS PADRES HERMANOS, HERMANAS EVENTOS, ENEMIGOS CONSTANTES TRAIDORES AMARGADOS INPOTENTES DESVIADOS TANTOS, TANTOS, TANTOS..... AMIGOS TANTOS TANTOS SON LOS QUE VEO Y HOY DIA...... TODOS ESTAN MUERTOS. museum salvador rosillo @ 06/11/05 by salvador rosillo http://americanos.myblogsite.com and http://poemnotes.blogspot.com/ at 08:40PM (EDT) on June 13, 2005 THROWN STONES
THROWN STONES by Salvador Rosillo Is a thrown stone Aware of the ripples It has created Each time it hits And bounces off The waters surface? Yes! It knows! Yes! It’s aware! Yes! It knows Specially after Smoking B,C, Green! It knows for sure! @Museum Salvador Rosillo 2005 THROWN STONES
THROWN STONES by Is a thrown stone Aware of the ripples It has created Each time it hits And bounces off The waters surface? Yes! It knows! Yes! It’s aware! Yes! It knows Specially after Smoking B,C, Green! It knows for sure! @Museum Salvador Rosillo 2005 Is a thrown stone Aware of the ripples It has created Each time it hits And bounces off The waters surface? Yes! It knows! Yes! It’s aware! Yes! It knows Specially after Smoking B,C, Green! It knows for sure! @Museum Salvador Rosillo 2005 Saturday, August 27, 2005PUTA LA MADRE, PUTA LA HIJA
Puta la madre, puta la hija. remolino del pellejo retazo macizo rompiedo el tambor ruletera mas puta que las gallinas chingar de mira quien viene SOLA VAYA! sombrero de Panama, tacuche de filiberto, tiene el famban barretoso Vayase al diablo! fumando zacate ingles mala semana La concha tuya conejo Friday, August 26, 2005real estate virgins
real estate virgins by salvador rosillo "americanos" at 08:34PM (EDT) on August 26, 2005 real estate virgins the thunder the lighting that coaxes and sparks the rains out of the laden clouds are coming over to visit and see you laughf yourselves to the tomb then you'll come back brand new @museumsalvadorrosillo 08/24/05 Sunday, August 21, 2005" motto "
" IN GREED WE TRUST " museumsalvadorrosillo@2005 " WHAT HIT THE PENTAGON ? "
" WHAT HIT THE PENTAGON ? " MY OPINION IS THAT IT WAS A LARGE PLANE WHICH DUE TO THE G FORCES WAS SQUEEZED INTO THE SHAPE OF A LARGE MISSILE THAT SEEMS TO HAVE EMERGED FROM THE NEARBY AREA BUT THAT TURNS OUT TO ALSO BE AN ILLUSION OF THE SPEED AT WHICH THE SMALL PLANE / LARGE MISSILE WAS TRAVELLING BY THE WAY... THE FACT THAT THERE WERE NO VISIBLE WINGS IMPACTING THE SIDE OF THE BUILDING IS ALSO AN ILLUSION PRODUCED BY THE ABOVE MENTIONED G FORCES AT PLAY HERE.... MUSEUM SALVADOR ROSILLO @05 Sunday, June 05, 2005" TIMES LOOKING "
"XXtwentywordspoems20" " TIMES LOOKING " KEEP EACH PARTICULAR TIMES LOOKING WELL TOUCH ANYTHING BEYOND NOTHING WAITS TINGLING LIGHTS AWAKED CHANGES ELSEWHERE FROM TIME TO TIME museum salvador rosillo @ 06/05/05 http://americanos.myblogsite.com/blog by salvador rosillo "americanos" at 03:06PM (EDT) on June 5, 2005 CUAL VA A SER TU LEGADO ? PELADO ?
Sunday, June 05, 2005 CUAL VA A SER TU LEGADO ? PELADO ? gotham news CUAL VA A SER TU LEGADO ? PELADO ? by salvador rosillo "americanos" at 02:35PM (EDT) on June 5, 2005 museum salvador rosillo says: publiquen un libro de mis poesias jazzy goes to manhattan says: estas muy verde arbolito museum salvador rosillo says: Que ? La lluvia no llega al suelo ? ------------------------------------------ museum salvador rosillo says: CUAL VA A SER TU LEGADO?PELADO? Plante un bosque de pinos en las laderas de un monte camino a el lago de chapala justo al otro lado de la carretera de el hotel tapatio yo plante ese monte mucho tiempo atras muy atras cuando tenia 13 years y las botas que usaba estaban descosidas eran los years de 1950 y cubrimos todo el monte de mano a mano eramos muchos quizas 50 years mas tarde cuando regrese tomando una pausa para recapacitaren el camino que seguir pase por un lado del mismo monte ahora cubierto de punta a el rabo y escupiendo veneno por mucho mas alla que su propia sombra encima estaba una fabrica de cemento sobre la montana pelada ni un arbolito verde sobrevivia todo pelado todo contaminado y eso fue lo que hicieron con la herencia que nosotros les dejamos bravo bravo bravo museum salvador rosillo @ 06/05/05 Thursday, June 02, 2005Jerigóndor
Jabberwocky Variations Francisco Torres Oliver Cocillaba el día y las tovas agilimosasgiroscopaban y barrenaban en el larde.Todos debirables estaban los burgovos,y silbramaban las alecas rastas. "Cuídate, hijo mío, del Jerigóndor,que sus dientes muerden y sus garras agarran!!Cuídate del pájaro Jubjub, y huyedel frumioso zumbabadanas!" Echó mano a su espada vorpal;buscó largo tiempo al manxomo enemigo,descansó junto al árbol Tumtum,y permaneció tiempo y tiempo meditando. Y, estando sumido en irribumdos pensamientos,surgió, con ojos de fuego,bafeando, el Jerigóndor del túlgido bosque,y burbulló al llegar! !Zis, zas! !Zis, zas! !Una y otra veztajó y hendió la hoja vorpal!Cayó sin vida, y con su cabeza,emprendió galofante su regreso. "!Has matado al Jerigóndor?Ven a mis brazos, sonrillante chiquillo,!Ah, frazoso día! !Calós! !Calay!"mientras él resorreía de gozo. Cocillaba el día y las tovas agilimosasgiroscopaban y barrenaban en el larde.Todos debirables estaban los burgovos,y silbramaban las alecas rastas. Tuesday, May 31, 2005Dashing aristocrat with a taste for poetry
Dashing aristocrat with a taste for poetry above is right next to the asp:img closing tag with -->Tuesday 31 May 2005, 21:16 Makka Time, 18:16 GMT Dominique de Villepin (L) weaves words into sweeping speeches Related: De Villepin new French PM Tools: Email Article Print Article Send Your Feedback The French may not know what to expect from their new Prime Minister Dominique de Villepin, but there's one thing they can be sure of - he'll never be lost for words. The latest in a long line of French poet-politicians, this dashing aristocrat is a prolific author with a taste for old-fashioned grandiloquence. He can turn a simple radio interview into a torrent of vivid nouns and dramatic verbs. At his best, de Villepin weaves words into sweeping speeches that dazzle by their romantic audacity. His passionate UN speech against the planned US attack on Iraq in 2003 moved diplomats there to unprecedented applause. "In this temple of the United Nations, we are the guardians of an ideal, of a conscience," he proclaimed to the Security Council. "The weighty responsibility and the immense honour that are ours lead us to give priority to disarmament in peace." France had, he said, "never ceased to stand upright in the face of history and before mankind ... . Faithful to its values, it believes in our ability to build together a better world". Dramatically terse De Villepin can also be dramatically terse, as when he described his hyperactive style with the words: "Responsibility is action. Nothing is worse than not deciding. Deciding is creating." On other days, though, his words seem to run away from him. He once described loyalty - a virtue President Jacques Chirac clearly prizes in him - as "the capacity to give coherence to one's elan and passion". "In this temple of the United Nations, we are the guardians of an ideal, of a conscience" Dominique de Villepin"Every time I take the floor, I take a risk," de Villepin has admitted. "Having an emotive temperament, I am more exposed to this than others." Villepin credits his mother for giving him a taste for poetry and his childhood abroad - he was born in Morocco and grew up in Venezuela and the United States - for instilling in him a grand vision of France and its role in the world. "I dreamed of France before I knew her," he likes to say. This grand vision, expressed with a pathos few other French politicians can match, came out in his campaign speeches for the European constitution that voters rejected on Sunday. Since 2001, Villepin has published four books that stood out both for their grand writing style and for the deeply romantic view of France and political life expressed in them. Reuters Monday, May 30, 2005Galimatazo
Jabberwocky Variations Galimatazo Jaime de Ojeda Brillaba, brumeando negro, el sol; agiliscosos giroscaban los limazones banerrando por las váparas lejanas; mimosos se fruncían los borogobios mientras el momio rantas murgiblaba . !Cuídate del Galimatazo, hijo mío! !Guárdate de los dientes que trituran y de las zarpas que desgarran! !Cuídate del pájaro Jubo-Jubo y que no te agarre el frumioso Zamarrajo! Valiente empuñó el gladio vorpal; a la hueste manzona acometió sin descanso; luego, reposóse bajo el árbol del Tántamoy quedóse sesudo contemplando… Y así, mientras cavilaba firsuto.! !Hete al Galimatazo, fuego en los ojos, que surge hedoroso del bosque turgaly se acerca raudo y borguejeando!! !Zis, zas y zas! Una y otra vezzarandeó tijereteando el gladio vorpal !Bien muerto dejo el monstruo, y con su testa! volvióse triunfante galompando! !¿Y haslo muerto?! !¿Al Galimatazo?! !Ven a mis brazos, mancebo sonrisor! !Qué fragarante día! !Jujurujúu! !Jay, jay! Carcajeó, anegado de alegría. Pero brumeaba ya negro el sol; agiliscosos giroscaban los limazones banerrando por las váparas lejanas; mimosos se fruncían los borogobios mientras el momio rantas necrofaba… Included in A través del espejo y lo que Alicia encontró al otro lado, Alianza Editorial, Madrid, 1973. Sunday, May 29, 2005CAFE DE POETAS DE NUEVA YORK
Posted on Sun, May. 29, 2005 Café para poetas de Nueva York permite a hispanos expresarseERIN TEXEIRAAssociated Press NUEVA YORK - Viernes por la noche, en el Lower East Side de Nueva York. Un poeta joven sube a la tarima y saluda tocándose su gorra tejida para silenciar a una audiencia de unos pocos cientos de personas. Kahlil Almustafá se golpea el pecho con el micrófono, simulando el latido del corazón, y comienza a hablar en voz baja. Sus palabras van cobrando intensidad, disparándose y saltando como un pájaro en el viento: "Arrasa tu país, arrasa tu cultura nada de agua corriente, Coca Cola pura". "¡Ustedes saben bien que así es!", asiente alguien desde el público, una multitud de jóvenes veiteañeros entre los que se ven mujeres con la cabeza cubierta por velos y hombres muy bien vestidos. La tertulia poética del viernes en la noche en el Café de Poetas Nuyorican ha comenzado. El café de paredes de ladrillo ha sido denominado La Meca parlante del país. Ha contribuido a la gestación de películas y libros, espectáculos de Broadway y nuevas celebridades a lo largo de los años. Para muchos poetas jóvenes, especialmente para los negros e hispanos, ha sido simplemente un hogar. En una ciudad donde la diversidad frecuentemente significa un encuentro étnico codo a codo para conseguir un asiento en el tren subterráneo, el café de los poetas es una rareza, una mezcla de interacción cultural que va más allá de lo superficial. "La obra es autobiográfica... y uno se tiene que enganchar con el intérprete", dice Karen Jaime, una poetisa que oficia de anfitriona de los eventos del viernes por la noche. "Se trata de gente de piel morena que les da voz a quienes no la tienen". Miguel Algarin, uno de los fundadores del café, explica que la poesía consiste en "expresar con cierta precisión algo que uno tiene en su interior. Al final del día, si uno ha estado escuchando realmente con atención, sale con mucha información y pasión". Eso es lo que intentó Algarin cuando comenzó a auspiciar lecturas de poemas en la sala de su vivienda en el East Village en 1973. La idea era darles a sus vecinos puertorriqueños "un lugar para que se expresaran", afirmó. Pero se llenó de tanta gente que el profesor jubilado de literatura de la Universidad Rutgers trasladó la reunión a un bar. En 1980, junto con otros de los fundadores creó una organización sin fines de lucro y amplió las ofertas. Actualmente seis noches por semana _todos los días menos los lunes_ hay eventos artísticos, incluyendo música en vivo y teatro. "Siempre hay poesía, pase lo que pase", observa Julio Dalmau, el administrador del café. Los clientes habituales aman el lugar porque se las arregla para estar de moda sin buscarlo. Los precios van de los 7 a los 15 dólares, comparados con los 25 dólares o más que cobran otros lugares nocturnos de la ciudad, y una noche allí nunca dejará de incluir temas raciales, emocionales y políticos. El café Nuyorican "me trae de vuelta a la realidad", expresa Angie-Lee Vásquez, una estudiante universitaria de 23 años de Brooklyn. "Como puertorriqueños en Nueva York padecemos nuestras propias injusticias sociales. Es una forma de compartir lo que somos y quienes somos". Para jóvenes artistas negros e hispanos, es uno de los pocos lugares de la ciudad de Nueva York donde se destaca y se celebra su trabajo, sostienen. "Nunca experimenté nada igual a la primera vez que actué en el Nuyorican. Es un sitio de preparación para los poetas", expresa Narubi Sela, dramaturga, poetisa y actriz que interpretó su obra de 90 minutos "The Classifieds" (Los secretos), a comienzos de abril. Sela y otro actor protagonizaron a todos los personajes. Los acontecimientos más populares son las competencias de los viernes en la noche, que comenzaron cerca de 1990 y se llaman "slams", término ambiguo que significa "golpe" pero también "cárcel" en la jerga de la calle. Son sesiones de poesía, con mezcla de "rap" y "hip-hop", una especie de "payada" donde los recitadores compiten entre sí y tratan de vencerse unos a otros antes que los descalifiquen los jueces o el abucheo del público. Los "slams" habían sido inventados unos cinco años antes en Chicago como una manera de revigorizar el género, de acuerdo con Poetry Slam, Inc., una organización sin fines de lucro con sede en Michigan. Los poetas comenzaron a escribir versos con la finalidad de que fueran leídos en voz alta, y realzaron sus palabras utilizando elementos del teatro o la música, esfumando el límite entre la poesía y la actuación. En el café, las competencias de poesía también se realizan la mayoría de los miércoles, y están abiertas a cualquiera que quiera participar. Los ganadores, elegidos por miembros de la audiencia, vuelven a competir los viernes. Y esos ganadores regresan a competir una y otra vez hasta que el café haya elegido a sus mejores cinco poetas del año. Posteriormente, el equipo es enviado, con todos los gastos pagados, a participar en una competencia nacional anual organizada por Poetry Slam Inc. El torneo de este año será en Albuquerque, en agosto. "Es un deporte", sostiene Lois Elaine Griffith, tesorero del café y profesor de inglés en la Universidad Comunitaria de Manhattan. "Es un combate: '¿puedo decir más verdades que tú?'" El programa "Def Poetry Jam" de la cadena HBO ha explotado durante cuatro temporadas el talento del Café Nuyorican y otros similares. En el 2003, un puñado de poetas llegaron a Broadway con "Def Poetry Jam", que finalmente ganó un premio Tony. Antes de Def Poetry, el café ayudó a lanzar carreras de algunas celebridades, entre ellas los actores John Leguizamo y Sarah Jones, campeona de las competencias del Nuyorican en 1997. Entonces y ahora estas estrellas regresan al café, dice con orgullo el gerente Dalmau. Pero más importante que eso, indicó, es la conexión del café con las bulliciosas calles llenas de inmigrantes del Lower East Side, y los brazos abiertos que les ofrece a poetas jóvenes que piden a gritos subir al escenario. "Aún hay una razón por la que el café todavía existe en el 2005", dice el poeta Jaime, un estudiante de doctorado de la Universidad de Nueva York que está escribiendo su tesis sobre el café. "La esencia de la vida y la muerte está expresada allí. Cuando uno ingresa en ese ámbito experimenta un sentimiento muy distinto. No hay nada igual", finalizó. ---_ En la internet: http: 1/4 1/4www.nuyorican.org Saturday, May 28, 2005" CRUEL FLUTE "
SCORCHING COOL NIGHT COMES AND ENCIRCLES ME WHEN CRUEL FLUTES DROWNING YOUR SOFT WILL AWAY IT FILLS THE HOT AIR "XXtwentywordspoems20" museum salvador rosillo @ 05/28/05 " MY LOVE JEWELS "
GENTLE BREEZES CHOCKING LIPS MANGO GARLAND'S FOUND TO BURDEN MY LOVE JEWELS MY FACE MY BODY TASTES DELICIOUS PLEASING YOU "XXtwentywordspoems20" museum salvador rosillo @ 05/28/05 DARK HEART
THE HELPLESS DARK HEART VERY ADORNED PIERCING COOL SANDALWOOD FRAGANCES PERMEATING LUNGS TURNS AND PLAYS RAINING MELODIES AND WEAKENING ME museum salvador rosillo @ 05/28/05 Monday, May 23, 2005"HOW I CRIED "
SMILING I FOUND YOUR SHOPPING FOR FLOWERS REGULAR SEAFOOD STICKS REFLECTING YOUR PERMANENT CHILDHOOD ONE PERSON MIND HOW I CRIED MUSEUM SALVADOR ROSILLO @ 05/23/05 Saturday, May 21, 2005robert burns
Culture & Traditions Sat 21 May 2005 Robert Burns is known throughout the world as Scotland's national poet, but many now suggest he has become misrepresented, and could be considered a songwriter and musicologist. Burns an' a' that HAMISH BROWN LIKE most national artistic institutions, there's a danger of ubiquity leading to neglect. Many people in Scotland are wholly unfamiliar with the work of Robert Burns, the national poet, yet well versed in literature beyond their own doorstep. On the web Burns an' a' that! festival Yet Burns is everywhere in Scotland. Lines from his poems are part of the cultural grammar, fragments of them make up monikers of pubs and street names throughout the country. There are statues of him in Dumfries, Glasgow, Leith, Irvine and Kilmarnock. Visit Ayrshire or Dumfries & Galloway, the heart of Burns country, and there's barely a hotel where he is not said to have spent the night, or a bar where he is not said to have penned a poem. Yet for many, familiarity with his work begins and ends with the most famous fragments recited blindly - or even blind drunk - on Burns night, without any recourse to the real meaning of the words or the character of the man. Each generation, however, brings a new group of academics, musicians and artists whose examination, appreciation and reinterpretation of Burns finds a contemporary resonance and so prevents the man and his work from being wholly claimed by the county's tourist board and condemned into the world of shortbread tins and tea-towels. You could tell something was in the air a few years ago when John Peel, the late BBC disc jockey and champion of new and underground music, began celebrating Burns night on his radio programme. Musicians from Scotland such as Belle & Sebastian, The Delgados, Ballboy and Camera Obscura were asked to record interpretations of Burns poems and songs. It wasn't until 2001 however that things really got off the ground with the very first Burns an' a' that! festival, held in the west-coast town of Ayr, near where Burns was born and spent much of his life. Since its launch, the festival has grown and in 2005 boasts a programme the features artists ranging from Lou Reed and Pete Doherty, to Eddi Reader and Aberfeldy. Culzean Castle, where the Gala concert of the Burns an' a' That! festival takes place. Picture: Stephen Mansfield So why does a festival celebrating a poet have a bill full of musicians? Well, one possible explanation might be that there is a growing belief amongst Burns scholars and academics that Burns has been misrepresented for a long time, and that the more we learn about his biography and work, the stronger the musical element becomes. Burns, it is argued, was a songwriter and should be viewed as such, says Dr Fred Freeman of Edinburgh University. "He wrote poems as poems and songs as songs, and was never comfortable with a piece being 'a poem set to music'," says Freeman. "He was competent in both disciplines, but in fact viewed song-writing the higher art." The misrepresentation came about through the Edinburgh literary society of Burns' day elevating his status to poet, from the mere songwriter, and he's stayed there ever since. But it would also be unfair to say that Burns' songwriting has merely been a victim of the high art/low art debate. "A great part of what we call Scottish literature is song," says Freeman, "and what Burns was doing could be called folk music to an extent, in that he was using traditional melodies and incorporating them into songs. "We should see him as more of a musicologist or ethno-musicoligist, comparable to a contemporary figure such as Hamish Henderson," he adds. "Burns was steeped in musical tradition as well as music theory, but was also familiar with contemporary composers of the day such as Mozart and Haydn and a talented musician of several instruments." Similarly, Burns being an intellectual is often overlooked, yet he was familiar with fundamental ideas behind the Scottish Enlightenment, fluent in French, and he wrote work which covers politics, class, love, sexuality and bawdy ballads - all of which rather put paid to any popular notion we might have of Robert Burns as a noble ploughman, educated at home. So if we have got the wrong end of the stick about Burns, perhaps it means that taking a fresh look, whether ourselves or though events such as Burns an' a' that!, can only be of interest, as it forces us to re-evaluate the relevancy to contemporary Scottish culture Burns has. Related topic Robert Burnshttp://heritage.scotsman.com/topics.cfm?tid=162 This article: http://heritage.scotsman.com/traditions.cfm?id=553722005 Last updated: 21-May-05 11:16 GMT Thursday, May 12, 2005' ESTRELLAS DE OCHO PUNTAS"
Estrella De Ocho Puntas ------ En nombre de las Estrellas de ocho puntas vinieron a destruir las torres gemelas a herir el simbolo el corazon de capitalismo mundial Las torres fueron objeto de su blanca ... apocaliptica furia, pensaron ellos que las torres eran otra cosa, no se percataron de su verdadera forma, ellas, las torres, eran Estrellas de ocho puntas tambien. un error mistico un fatal tragico error, El Colgado El Tarot. Salvador Rosillo NYC, NY Copyright ©2005 "TODAY "
XXtwentywordspoems20 "TODAY" TODAY MYSELF SHIMMERING AND QUITE HOT WRITHING MY MEDIEVAL NAMES MYSELF CRIMSON BLOOD WINE WRITE MAKE STONEHENGE INTO ALL ENIGMA museum salvador rosillo @ 05/12/05 Tuesday, May 10, 2005" LIFE'S FABRIC"
XXtwentywordspoems20 " LIFE'S FABRIC" KITCHEN KNOWING HANDS TRACE FINGERS ON BROWN FLOUR SCRATCH AND SMELL THINKING RISING WARM EYES DUSTED COMMOTION COVERING
LIFE' S FABRIC museum salvador rosillo 05/09/05 "BROWN EXAMS"
XXtwentywordspoems20" " BROWN EXAMS " SILKY SLEEP AGAIN MILKING DELICIOUS TEAM LOVE SCARRED ADULT DETAINED YEARNING SENSUAL BROWN EXAMS BLUED STEPFATHER DROWNED SWEATS SINS museum salvador rosillo 05/09/05 Thursday, July 29, 2004Remember the 1980'sRemember the 1980's ? was the question heard after a pause I said..... God ! man, in those days the sun was stronger brighter or so it seemed we were younger and thought dead was not meant for us but,for others far removed distant in the news it was forever we were forever but NO it was not to be that way but this way the way it is although Castaneda talks about a way to survive death he calls it the Eagle life ends but not for all Tibetan Buddhism says you can create a spiritual body that will survive death we lived it fully to the brim and I do not mean living drunk living drugged living medicated no no no not that way but living meditated very well meditated salvador rosillo july 23 2004 http://americanpoetssociety.net http://www.acapulcorealestate.info http://www.10007.biz http://www.salvadorrosillo.org http://www.10048.info http://www.mierda.info http://www.chingesumadre.com Wednesday, July 28, 2004PoemNotes
TRIBECA ARTIST RESUME. ---------------------------------------- I MOVED TO TRIBECA IN 1978 BEFORE AT COLUMBIA UNIVERSITY 10 YEARS THERE DOWNTOWN SINCE 1963, JUST OUT OF THE US ARMY ARTILLERY FORWARD OBSERVER SURVEYOR LIVED IN SOHO, ON GREENE ST WORKING / STUDYING LIVING / PLAYING. IT WAS NOT CALLED TRIBECA THEN. ONCE, MY WATER WAS SHUT OFF FOR SIX MONTHS BY JACK LABOZ AND ALBERT LABOZ AND THEIR COMPANIES AURORA LLC UNITED AMERICAN LAND INC READE-CHURCH EQUITIES THE BUILDING OWNERS UNITED AMERICAN LAND AURORA CORP LLC READE-CHURCH EQUITIES USED AN OPEN PLUMBING PERMIT IN COLLUTION AND CONSPIRACY WITH NYC BUILDING DEPARTMENT INSPECTOR MUCCIO AND MANY OTHERS TO INSTALL SPRINKLERS ON THE HALLWAYS OF 78 READE ST,10007 ,NYC WHICH HAVE NEVER BEEN INSTALLED YET INSTEAD THEY USED THAT PERMIT (PROBABLY STILL OPEN NOW) TO REROUT THE WATER PIPES AROUND MY LOFT AND CUT MY WATER OFF PIPES ARE STILL THERE VISIBLE TO THIS DAY NO ONE HAS DONE ANYTHING I HAVE SPENT $500,000.00 IN LEGAL FEES I HAVE LOST $ 100,000,000.00 MILLION US IN LOS PRODUCTIVITY WHAT ABOUT MY RIGHTS TO PURSUE HAPPINESS? WHERE ARE THEY ? LET ME KNOW ! MY CONSTITUTIONAL RIGHTS HAVE BEEN TRAMPLED DISREGARDED, IGNORED... THERE ARE TWO DIFFERENT HABITATIONAL LAWS IN NEW YORK STATE ONE IS DHCR FOR ALL APTS THE OTHER, THE VERY PRIVATE CLUB CALLED THE MAYOR'S OFFICE OF LOFT ENFORCMENT, THE LOFT BOARD IS MADE FOR US ONLY LOFT TENANTS WE EVEN HAVE OUR OWN VERY NON QUALIFIED JUDGES AT 2 RECTOR ST, JUST ANOTHER OFFICE OF THE MAYOR RESOLVES DISPUTES AMONG IT'S DIFFERENT DEPARTMENTS IS USED TO RUBBER STAMP THE WISHES OF THE BUILDING OWNERS AT THE EXPENSE OF INNOCENT EXPLOITED ALL CONTRIBUTING ARTIST TENANTS APPARENTLY WE LOFT TENANTS BELONG TO ONE OF THOSE DEPARTMENTS AND DO NOT QUALIFY FOR THE LARGER LAW PROTECTIONS THE REST OF THE POPULATION TAKES ALMOST FOR GRANTED WE ARE IN THE MAYORS HAREM AND THE EUNUCHS DECIDE ON OUR HOUSING ON OUR FATE WHICH HAS BEEN KEPT HANGING DANGLING BY A THREAD EACH AND EVERYONE OF THE SO CALLED ELECTIONS OF BUDGET PASSING NEGOCIATIONS THEY DECIDE ON OUR RIGHT AND NEEDS COSY COSY SITUATION FOR 6 MONTHS, NO WATER FOR ME LIVING JUST AROUND THE CORNER FROM CITY HALL, BUILDINGS DEPARTMENT MUNICIPAL BUILDINGS ALL SORTS OF GOVERMENT OFFICIALS BLINDED INSPECTORS NO ONE DID ANYTHING NOT ONE INSTITUTION WORKED I HAVE BEEN DEFENDING MY SELF AND OTHERS FROM LANDLORD (NOT DEMOCRATIC TERM) HARASSMENT GREEDY LAWYERS LOOKING OUT FOR THEMSELVES PASS D' BATTON CITY HALLS, FOR 25YEARS, OFFICIAL CORRUPTION, COLLUTIONS AND PAYOLLA HAS KEPT US IN PERPETUAL LIMBO........ WITH THE HYENAS ALWAYS WAITING AT THE DOOR NO RESPITE, NO SOLACE NO EQUITY IN THE BOOM REAL ESTATE MARKET WE WERE DUPED INTO CREATING ARTISTS ARE STILL BEING USED LIKE THAT WILLIAMSBURG, ELSEWHERE AROUND THE WORLD BY AN UNHOLY ALLIANCE OF REAL ESTATE AND CITY HALL WITH "LET THE ARTIST EAT CAKE" ATTITUDE IT IS ALL FOR THEM FOR THE RICH AND FAMOUS WE MADE IT SAFE FOR THEM TO BE ABLE TO RETURN AND CAVORT IN THE INNER CITY ABANDONED SINCE 1945 WHEN THE WWII RETURNING G.I."S LEFT THE CITY FOR FRONT AND BACK YARDS AT THE GRANDADDY OF ALL 'BURBS, LEVITTOWN,L.I.NY. IT SHOULD BE A SCANDAL! BUT IT AIN'T. WE NEED A CLASS ACTION LAW SUIT SEEKING REPARATIONS FOR THE TREATMENT AND EXPLOITATION WE HAVE AND ARE SUFFERING AT THE HANDS OF INSENSITITIVE UNRESPONSIVE CITY LEADERS UNWILLING TO DO THE RIGHT THING WHAT'S FAIR IS FAIR WE WANT EQUITY WE ARE OWNED EQUITY WE WANT EQUITY THEY ARE ACTING LIKE CONFICATING NAZIS WE WANT EQUITY WE DEMAND EQUITY ! MUSEUM SALVADOR ROSILLO JAN 21,20004 http://www.chingesumadre.com http://www.mierda.info http://www.acapulcorealstate.info http://www.americanpoetssociety.net http://www.10007.biz http://www.10048.info http://www.chingaderas.net http://www.salvadorrosillo.org
by
salvador rosillo
on Wed 18 Jan 2006 07:25 PM EST
POEM NOTESPOETRY AND .... Wednesday, December 14, 2005MOTHER
I am not Your Mother... Fucker! @museum salvador rosillo 2005 Monday, November 21, 2005La Realidad
La realidad la realidad se desmorona constantemente mientras se realiza realmente real @ museum salvador rosillo 2005/11/21 Monday, November 14, 2005LIFE's
Life’s Commentaries are Very interesting Nice and quick But I think….. There is no Set pattern Or manner To develop Or follow…. Unless you want It to be so Or cannot get Out from under The one your Born into @museum salvador rosillo 11/14/2005 life
Life Life Life Life Is A Cannibal @ museum salvador rosillo 11/13/2005 Saturday, October 29, 2005We Weren't Meant to Go There
We Weren't Meant to Go There Atropa belladonna by Karadur DOSE : oral Belladonna (extract)First of all I like to inform all that playing with belladonna is like playing with dynamite. LSD, X, DMT are no comparison to atropine based plants. With most these drugs no matter what you see (I do not call for example LSD a hallucinotory susbstance, it causes severe distortion of sight, sound and mind) you are still aware that the plant or chemical are responsible for the effects. With belladonna the entire concept of reality goes down the drain, the very fabric of reality will break down. you can be sitting down watching t.v. at one moment and next you see your dead grandmother next to you on the sofa asking for more tea. I am not kidding here you will not know what is real and what is not. I personally took a bath with over million insects and did not know that this was not real. You can be contacted by numerous alien entites (remember witches at sabbat using among many other things belladona, visiting satan himself) that either can frighten you to death or make you touch an angel. Now enough scaring you. No, not enough you can easily die and I mean easily. I suggest to you to soak the belladona in the rubbing alchohol for a couple of days, and then evaporate the remaining fluid outdoor on the electric grill (alchohol and flame oven or grill do not mix) until you get a gum resin. Start by taking about 0.2 gram of this stuff. Definitely have someone with you, have a number of a hospital with posion center available (do not be afraid belladonna is not illegal). Last note even seasoned trippers like Terence McKenna are afraid of where a belladonna trips takes them. As Terrance once told me, the places belladonna takes you, you were not meant to go. Exp Year: ID: 1778 Added: Jun 13, 2000 Views: 39284 remember the 1980?
Thursday, July 29, 2004 Remember the 1980's Remember the 1980's ? was the question heard after a pause I said.....God ! man, in those days the sun was stronger brighter or so it seemed we were younger and thought dead was not meant for us but, for others far removed distant in the new sit was forever we were forever but NO it was not to be that way but this way the way it is although Castaneda talks about a way to survive death he calls it the Eagle life ends but not for allTibetan Buddhism says you can createa spiritual body that will survive death we lived it fully to the brim and I do not mean living drunk living drugged living medicated no no no not that way but living meditated very well meditated @ museum salvador rosillo july 23 2004 PEEPING TOM
PEEPING TOM Your Tucked Peeping Days Taking Quickly Our Moon Songs Won't Be Moved By Fireside Snows Coming Peeps Will Stiffen You museum salvador rosillo @ 04/15/05 GOOD
GOOD Good Came Afraid Of change Finding Life Deeply Afraid Rejecting Heady Future Goes On Living Sorrows Misfortunes So Afraid @MUSEUM SALVADOR ROSILLO Reality Check
Reality is Ambigous Until Measured Then It Changes To Certanties Time Does Not Flow Forwards Or Backwards It Is An Illusion Imposed By Our Minds Watches Do Not Agree Past Present Future Are Only Inside Our Minds From Order To DisOrder Is The Rule museum salvador rosillo 01/07/05 DARK FAIRIES
GIANT MONKS REMINISCENT OF GOLD SPARKS FOUND GARGANTUAN MANMADE MOONS UNDER LUBRICATED PANTHEON CLOCKS DARK FAIRIES SHADOWS INSISTS ON DECEIT @museum salvador rosillo 04/25/2005 Wednesday, October 19, 2005"KING CLOUD"
SKY GOSPEL MOUNTAIN JILL ME AWAY EVE CARRIED HOT FURLONG MOON KING CLOWN RAINDEER BUCKET COCOON FROM END TO END museum salvador rosillo @ 04/06/05 | ||||||||







